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My review of Mr. Sanchos/Cozumel 

Mariachi band plays for seemingly uninterested patrons at Mr. Sancho’s (photo by the author)

Why we are here in Cozumel instead of Panama is its own story but I will tell that tale later. 

Suffice to say we are here, two days of panicked rebooking of reservations, and eating travel-related fees, and precious little sleep. 

In the background as I write, children are screeching and crying.  Not the jungle experience I anticipated for this latest January vacation excursion. 

You see, my gf and I plan a trip every January (or thereabouts) to someplace warm and beachy.  Half of it is simply to get away from (well, for California) cold weather. The other half is these trips are fact-finding missions, as we are seeking a place where maybe we’d like to stay for a longer while come the fatal day I finally hang up the old diopter and follow focus, and let younger people with better eyesight take over those chores. 

So anyway… we are in Cozumel. 

We find that, at the tropical January places, what appeals to us is what is referred to in these parts as “beach clubs”. 

(I just told my server David that the plate of chips and guacamole he served us was “fantastico”, which is not a word I’m pretty sure, but I’m pounding watered-down margaritas at a brisk pace, attempting to get buzzed quickly to numb myself.)

Beach clubs are the cordoned-off properties (usually, but not always limited to resort areas) where there is a pool, a bar, a restaurant, a private beachfront with lounge chairs, you get the gist of it. You have to pay for this decadence; the days of free coast line, even in countries in Central and South America, is sadly and rapidly dwindling.  The fantasy (as perfunctly captured in The Shawshank Redemption, and probably many other such movies) of a person, finally free of their literal and spiritual shackles, combing the edge of the water as they walk along the beach to an uncertain future and suddenly come across their prison (or work) mate restoring his craggy catamaran, was probably always a fantasy long ago, and even more so in 21st century world terms, where corporations are quick to acquire as much beach line as possible and hire (exploit) the poor and humble and hard-working locals to serve watered-down daiquiris and shrimp ceviche to the droves of (mainly) white people who venture via Southwest Airlines and Carnival Cruises to these warm and still beautiful islands south of the states.  

Thus, I bring you to Mr. Sanchos. 

We booked Mr. Sanchos a couple nights ago, sight unseen. I could only could rely on the Google/Yelp reviews which were quite good (therefore I should have been warned); I paid the deposit and prepared to spend the $68 per person fee which promised all the wonderful all-inclusive beach club things, including, presumably, unlimited food and drink. 

“Inclusive” is a dangerous word.  It is in direct opposition of “quality”.  It is more a partner of “excess” and “subpar” and “watered-down.”  I have steadfastly avoided inclusive in the past, especially when it involved resorts and beaches and such bastions of presumed luxury settings.  It usually promises a lot and delivers what you should expect.  Nothing is for free, and while inclusive is not free, nor is it traditionally luxurious (perhaps there are instances of luxurious inclusive resorts and clubs, and of course everything is relative). But if you have Budweiser tastes, then inclusive most of the time may very well be for you.  But if you want the finer things (better food, better booze, better environment), that usually comes with a higher sticker price.

Still, there are many people who are more than happy to be here and I’m looking at many of them now.  They are here, predominantly white, and (mostly) overweight and starting to get that drunken look (the time is about 11 AM), when the eyes start to pinch and squint, and the grin starts to bend sharply at the mouth, and the laugh begins to resemble more a cackle.  There’s a far amount of ink as well, although not high quality ink.  You and I are pretty familiar with these people by now: they were encouraged to come out from the shadows around election time 2015-16, and now they are loud and proud and happy to stick a flag in the sand and wave their Tecate in the air and claim this parcel of the crowded beach as theirs, because after all “I’m paying for it ain’t I?!?”

At Mr. Sanchos everyone is welcome; bring your American dollars, or convert to Pesos (exchange rate was $16.90 MXN at the time of this writing) (photo by the author)

I would describe Mr. Sanchos as a (mostly) adult Chuck-e-Cheese, with the arcade ripped out and replaced by hundreds of tables, swimming pools, thatched roofs, palm trees, and cheap booze.  A person with a large costume donkey head greets you at the entrance gate, along with a girl with a camera, ready to cash in right off the bat ($10 American for the photo op). It’s obviously a very popular; you go on Yelp and it garners a 4.6 out of 5, and many 5 reviews.  Many of the people who reviewed it are folks who clambered off of cruise ships in search of land and overpriced trinkets (small skulls adorned with your favorite college or pro football team seem really popular at the moment).  Cruise ship people are another subset that fits comfortably in an environment like this.  For reference I suggest reading the essay from the brilliant David Foster Wallace, “A Supposedly Fun Thing I’ll Never Do Again,” which succinctly outlines the experience of a 7-day Carribean cruise. 

I am amazed and also appalled by how fat we Americans are.  I look around this resort and, yes, when one is on vacation, they usually allow themselves a hall-pass to eat whatever, drink as much as possible, and act pretty much any way they choose.  That’s why it’s called “vacation” I guess; it’s not supposed to be real life.  On vacation YOU are the boss! (note: unless you are male and married, which in that case you are still second in command) 

But I’m seeing people so obese that I have to ask myself 1) how uncomfortable must it be to simply do the basic life functions of standing up, walking, sitting down, and 2) what exactly is the life span of someone who is obviously not in good health.  There are children here, with obese adult bodies and chubby adolescent faces and swollen feet. It’s sad, to be honest. My gf is an emergency room doctor and countless times has had to explain to obese people sitting uncomfortably in the ER that you must MOVE, move your body, in order to live; even if you can’t stand up, then exercise in your chair (the internet has countless videos and tutorials showing how you can achieve maximum fitness while only exercising in a chair, 7 minutes a day for 28 days, but I digress).  But, MOVE.  Here, they are supine in so many plastic chairs, eating tacos and living their life out loud.  So be it. 

The party continues here at Mr. Sanchos.  A mariachi band plays for a group at a table; I don’t know if they are paying for that privilege but judging by the turned-backs and body language, they aren’t interested even in the novelty of the moment.  The poor locals.  I feel bad for almost all of them.  My server, David, probably thinks I am just another American idiot, and he isn’t far off.  I’m getting a thorough buzz now from the constant parade of margaritas to my table.  There’s not much alcohol in them (and although I haven’t seen the pour I can assume the quality of the alcohol isn’t good; inclusive, remember?) but if you order enough anything is possible.  You can get drunk on Bud or Coors Light, just keep drinking them.  

The mariachi band is playing “La Bamba”, really quite well, to the same table. I’ve seen employees walking around with parrots and iguanas and a camera.  I’m pretty sure that’s not an inclusive treat, but at this point the locals know what pleases the (relatively speaking) rich and dumpy Americans, and I have no doubt that many gringos will be going home with a picture of themselves grinning next to an iguana. The “thump thump” of club music that was popular 30 years ago is now pumping along the beach line.  No one is dancing so far; it’s only noon and I don’t think anyone is drunk enough just yet.  

I just ordered a bottle of water from David.  “I need to hydrate,” I say emphatically and he smiles bemusedly.  He seems like a good guy.  He probably spends a lot of hours humoring intoxicated people. I hope he is happy in his life. 

I’m watching small groups of people snorkeling out in the ocean not far off the beach.  One enterprising slightly weighty gentleman is wearing his truckers hat while snorkeling, I assume, to keep the sun off his head.  

Next to where we are sitting, a very strange sight: a youngish and relatively attractive Latino couple (or maybe just a man and a woman uncoupled?) sitting across from each other with laptops, drinking Coke and water, quietly working.  I look over the shoulder of the woman at her laptop and see what appears to be a spread sheet.  Seeing them in this environment is akin to seeing a grizzly bear walking down Sunset Boulevard.  I can’t decide if they just wandered in here looking for a place to sit down and some shade, or maybe they manage the resort, or run the books for Mr. Sanchos.  Anyway, they look very put together and way out of place.  

My gf is sober so far today (a wee bit too much fun the night before), drinking Coca Cola Light (made with real sugar, superior to the Diet Coke we consume back in the states) and I ask her to maybe have a drink and join me in my buzzy headspace, one where we can together make Mr. Sancho’s a more palatable experience.  I initially had told her, once we had passed the Donkey at the front gate and the realization of what we had done had set in, that upon consuming what was the equivalent of $136 in food, drink and whatever other amenities is included in the price of admission, we would split this place.  I don’t want to have the burden alone of drinking $136 worth of cheap booze.  

It’s not sunny right now but it’s not unpleasant.  A cursory search on my phone reveals that the best time to come to Cozumel is March and April, when the sun is high and hottest, and the rainfall is the least.  But I work in an industry where, traditionally speaking, the work grinds to a halt before Christmas and usually doesn’t ramp up again until mid/late January at the earliest.  So I plan our warm weather excursions for the beginning of the year, cross fingers and hope for the best.  This morning we heard that there was the possibility of FLURRIES (!) in the hills of Ventura, CA, so regardless I think we are doing good.  

So I feel like I owe you an explanation as to why we are in Cozumel, and not Panama, the country where months ago we booked passage and lodging and planned for a week long vacation within the islands of Bocas del Toro. It’s a long and kind of tedious story to have to recount again; bear with me. It starts back in September, when I went to process my application for a Global Entry number, and the gentleman across the desk at the Consulate advised me that I probably should renew my passport (scheduled to expire on March 10, 2024) before my trip to Panama. He unnerved me enough to start the process immediately and I was even going to pony up the extra $60 it took to expedite the processing. However, if you recall, we were in the throes of what can only be described as a governmental shit show, as the GOP was threatening (the first of numerous threats) to shut down the government. I imagined all elements of government-related services grinding to a halt, and my passport stuck in dry dock for who knows how long and maybe even past the date we were scheduled to fly out of Los Angeles to Panama in early January. I opted to wait, assuming that a passport that expired in March would be suitable for getting me into/out of a foreign country.

Four months later we were dropped off at the Tom Bradley terminal at 10 pm for our overnight flight direct to Panama City. From there we would shuttle over to another airport and take our puddle jumper flight over to Bocas del Toro, where we had a house rented, ready to enjoy everything the islands off the coast of Panama had to offer, including Filthy Friday (Google it).

At the terminal, it was chaos. Earlier that week, a Boeing 737 Max 9 jet had its panel detach during an Alaska Airlines flight from Oregon to California. This resulted in the FAA grounding all Boeing 737 Max 9s until further notice. This affected many airlines at many airports, including Copa (the airline we were flying) at LAX. There were lines stretching through and around the terminal as agitated passengers waited, some for hours, for cancelled flights to be rebooked. Fortunately, we heard that our flight was one of the fortunate ones, so even though we moved at a snail’s pace, we eventually took our place at the desk, and handed our passports over to the Copa agent. He spent about a minute typing and staring at his screen. Then, like a croupier dealing an ominous card, he pushed my passport back to me. “You can’t fly,’ he said.

“Your passport expires less than three months after your return date. Panama won’t let you enter the country.” You could have punched me in the face and shocked me less. Our flight was preparing to leave in about an hour. I felt both flustered and sick.

“You can’t be serious. This is our vacation,” I stammered, as if that would make a difference. He stared at me, blankly. He had been dealing with upset passengers for hours, I guessed. He just wanted to move on to the next customer, and plow to the end of his shift. “What am I supposed to do?” I asked.

“Well, you can go over to the consulate, and see if they will issue you a new passport.” It was Saturday evening, almost midnight. “Are they open???” I asked, already knowing the answer. “They open on Monday morning,” he said. He pushed our passports back to us. We took our pile of luggage and trudged away.

We found a couple open seats to slump into, and struggled to cope with the reality that our flight to Panama was no longer OUR flight. It was just another plane flying to another country. I flailed my way through the internet on my phone, trying to figure out a way to get to the consulate early enough on Monday in order for us to attempt to salvage our vacation. I felt like a desperate man. I realize these are first-world problems, but when you spend months planning for, and booking, and looking forward to a vacation, and literally the moment before you are passed through towards your gate and hear the words, “Enjoy your flight,’ and you instead are kicked to the literal curb with your bags and grandiose plans, it’s bound to shake a person up. On the curb, the wind was cold and brisk as we shuttle-bussed to our Uber, and tail between our legs, rode home.

In the Uber I was disillusioned and defeated, but manic. As my gf passed out next to me, I dug into my phone, scrambling through the internet. “Where can I travel in January where there’s warm weather without a passport?” I typed. The answers came: Puerto Rico, The Virgin Islands, Florida, Hawaii, etc. Once back at home, my gf kissed me, assured me it was going to be ok, and went to bed. At this point it was after 2 am, and all I could think of is that we were supposed to be on a plane RIGHT NOW traveling south landing in Panama City around 10 am. And now we weren’t. I sat at the dining room table, my laptop in front of me. I stared at the suitcases, grouped in a pile on the floor across from the table. Our bags were packed. The dogs were boarded. The dull light of the laptop made my eyes ache. “We HAVE to go, somewhere,” I thought, preferably somewhere warm, where I could press my toes in the sand, sip a drink, catch up on my reading (I had three books in my carry-on bag), maybe tan or even burn a little, and decompress. My board shorts were in the suitcase. I started looking, considered Puerto Rico, then cast my eyes towards Mexico.

I blurrily sorted through various spots in Mexico: Cancun (too party-touristy), Cabo (worse), Puerto Vallerta (expensive). Then I started reading about Cozumel, a small island on the eastern coast of the Yucatan Peninsula, across from Playa el Carmen, and north from Cancun. The more I read about it, the more I could feel its separation from a larger land, the warm sand, the calming breezes. I could almost taste the salt in the air, or maybe I had fallen asleep momentarily at my laptop. I shook myself alert and searched AirBnb and various airlines to see if it was indeed a viable option. I read that, unlike Panama, Mexico would allow those from the outside the country in as long as their passport did not expire before they returned to their native country. Those were the words I needed to see.

After a few hours sleep, I woke up and went back to work. I now had a viable destination, and a mission. I managed to wrangle the full refund from our AirBnb in Panama, reserved another space in Cozumel, and spoke with the airline to make sure I wouldn’t be turned away yet again when we arrived at the airport, bags in tow, for the flight south. Nervous, but equally assured and desperate enough, I booked our flights to Cozumel. We would leave at midnight that night. The packing and dog boarding would not be in vain.

Joseph, Mary and Jesus, obviously enjoying themselves at Mr. Sancho’s; know your audience (photo by the author)

After a couple more margaritas (in small plastic cups, about 8 oz. servings, brought to us in almost alarming succession, I lost count) we decide it’s time to venture more directly into “the scene at the pool.” The swim-up pool is more like a wade-up, but it is in the center of the property and seems like a reasonable entry into the social stratum that is Mr. Sancho’s. We find a place near the pool bar to drop the valuables, and I put my foot in gingerly. It’s cold. Well, colder than expected. A young guy and girl (two of many youthful clientele I suspected were both from the cruise ships and under 21 but the legal age to imbibe in Mexico is 18, so let’s party) roll past me and plunge in with no hesitation, telling each other “hey it’s warm.”

“Warm? Warm?!? You think this is warm?!” I say to them, good naturedly.

“It’s warmer than the ocean!” (Disclamer: I went into the ocean later and the ocean was maybe a little warmer than the pool. The folly of youth)

I clench up my parts, and step into the pool up to my waist. I wade forward, and my gf comes to joins me, promptly slips on the steps, screeches, and back-flops into the pool.

“That’s one way to get in,” I say (Later, she told me the look on my face was one of faint surprise and buzzed satisfaction). I help her to her feet, glad that she didn’t (this time) hurt herself. My gf has a tendency to trip or slip or otherwise put herself in peril, and one of my ongoing jobs is to help alleviate the consequences by grabbing her before she can fall. In this case, I’m only moderately successful. But we are in it now for real. She jumps on my back and I walk us up to the bar, almost wiping out myself by slip-tripping on the hidden slant of the pool floor below the surface.

The scene around us is a mash-up of young, nubile adults and older, much less nubile adults, all crammed into the pool making noise, as the prerecorded sounds of some type of beat analogous to house music thump-thumps faintly over the din. A bunch of frat bros are gathered together, getting an early start on spring break. Surprisingly they don’t seem that all interested in the group of about 10 college-aged co-eds splashing around the bar. Judging from the trucker caps a couple of the girls are wearing, it looks like they might be from either (or both) Ol’ Miss and Texas A & M. It’s good to see these fierce SEC rivals hanging out together in a joyous, watery glasnost. Maybe I’m selling Mr. Sancho’s short. We find a couple of submerged seats at the pool bar.

(Pro tip: order the traditional margarita on the rocks while in Mexico. I’m sure many people know this but still it bears mentioning. The first time I ever had a traditional Mexican margarita was at a bar called Hussong’s in Ensenada. The bar, as I remember it, was a simple structure, ocean-kissed, sand on the floors, and jam-packed with people, both gringos and locals. My margarita was in a small glass (not a huge goblet), no frills, and tasted fresh-made, slightly sour, and refreshing. And all of the places I’ve been in Mexico since, even at Mr. Sancho’s, the bartenders understand the perfect simplicity of a proper margarita.)

We sip our margaritas and watch the action around the pool bar. There are the frat bros, and the sorority girls. A black couple, large and tatted-up to the hilt, are saddled in to the right of us in the corner of the pool. They’re pressed together and he nonchalantly plays with her boobs, seemingly unaware and unaffected by the surroundings. I look up to the pool deck next to us as another-not-petite-yet-friendly girl (they are everywhere!) walks towards us then stops. “Oh you caught me!” she says sunnily.

“I did?! What were you doing?”

“Vaping! It’s against the rules here.” I’m mildly surprised to hear this, as it seems like it’s anything goes at Mr. Sanchos.

“Well, you know,” I said, “rules are for those who get caught.”

“I always get caught!”

“It’s because you are so beautiful. You stand out.” She grins broadly, obviously liking what she hears, and walks away. I look at my gf and she smiles back at me, ever tolerant. I have always been, for the most part, a happy drunk. There are many people who might be surprised to hear that, but it’s true.

While we stand at the bar, a young woman wades up. She knows the name of the bartender so it’s obvious she has made herself familiar with his work. She’s a big girl, like so many on the property today. But she seems very pleasant, with a round pink face and broad smile. I find that once I start to get that happy-go-lucky daytime buzz I tend to get very chatty, even with strangers whom I probably wouldn’t consider approaching in sobriety. We strike up a conversation. Her name is Kiera (“like Sierra with a K,” she says with her soft southern twang); she says she’s a student from Missouri College (?) on a cruise that was to originate in Panama City but had to re-launch from New Orleans due to a hurricane. My gf turns excitedly to me.

“See?!? I told you there was a reason why we didn’t go to Panama!” We both believe in the idea that the universe works in fateful mysterious ways, but mostly in our favor.

I ask Kiera, “So, you were supposed to start your cruise in Panama?” She looks at me quizzically. “Panama City in Florida,” she says.

I realize that she is speaking of one of the crown jewels that is a part of the expanse known as the “Redneck Riviera.” I once traversed the RR in a car trip I undertook with a friend when I was in my 20’s, living in North Carolina. We drove south from NC, spent our first night in a dreadful and desultory hotel outside of Jacksonville ( I couldn’t sleep, waiting for drug dealer gun shots that never came), then traveled along the coast line through Florida, Alabama, Mississippi and Louisiana, ultimately ending up at a Comfort Inn in New Orleans for some cheap drunken revelry. I look at my gf.

“Panama City, Florida,” I say, with a knowing nod. We all laugh at our confusion. Kiera tells us she’s on the cruise with her brother and his girlfriend. She says she is on winter break from school and has decided while on the cruise to change her major to Elementary Teaching. She feels more passionate about teaching children than about accounting (her current major), which isn’t difficult to believe. Kudos to her: a good teacher is more important to society than any lawyer or politician, or accountant, for that matter.

Behind her, the group of underage-in-the-USA girls wearing the Ol’ Miss and Texas A & M caps are yelping and rocking and loudly singing the Texas A & M school song. I’m not sure why they aren’t also singing the Ol’ Miss school song, or maybe they did and I missed it?

“I met all those girls on the cruise ship, they’re from Mississippi and Texas,” Kiera says. Kiera seems very sweet and good-intentioned, and, in the Maga-scorched political climate of 2024, is someone I probably would have made some quick assumptions about and would have avoided, much less talked to. But I’m glad I did. I need reminders that, despite what appear to be untenable philosophical and political differences largely built along regional and even state lines, there are a lot of good and unassuming people just trying to figure out the day-to-day of what is not always a simple life with obvious answers. We say our goodbyes and she goes to join her brother and friends.

As we nurse our margaritas at the pool bar, we start to see the exodus. The cruise ships have come calling for their benefactors, and large numbers of slightly burnt, buzzed, and stuffed cruisers began shuffling in groups towards the gates, some clutching the chochkies they bought which will surely be placed thoughtfully on the shelves and mantles next to their 65″ HD televisions.

Mr. Sanchos is suddenly a ghost resort. Void of the cruise ship groups, there’s now just a smattering of guests left behind, including us. We make our way down to the shoreline, where a few hours ago it would have been impossible to find a lounge chair, and pick out a couple along the now-vacant line of chairs stretching along the shore like used cars on an abandoned car lot.

La Diaspora of the Cruise Ship people (photo by the author)

I sit and close my eyes and listen to the dull crash and smooth crackle of the waves on the shore, and the subtle retreat of those same waves. I can feel the salty breeze from the ocean. This is why you come, not for the food, or drink, or festivities. You come for this feeling.

A waiter comes by and I order our last margaritas of the day. Drink ensconced in hand, I lay back in my chair. I expected to be relieved now that the overly loud and crass riff-raff were festooned upon their party ships, and starting their journey to the next stop on their tour of excess, far away from us. But it feels strangely anticlimactic. I was expecting a feeling like triumph, like when you are the out-manned underdog and the stakes are therefore high, but in this case there is nothing beyond the victory line other than the disquieting realization of “now what?”

We stay for about 15 more minutes but frankly it feels boring now, after all we’ve seen and experienced. We gather our belongings and head towards the front gate, past the disinterested vendors who are no longer hawking cheap plastic totems, past the ignoring waiters who have served their last Tecate’ and nachos, and past the life-size sombrero’d mascot who is flanking the exit, donkey head still intact, but now hands free, tapping through his cell phone and plotting his dinner plans for the evening.

Some Thoughts Regarding “The Voice” Camera Rate Negotiations

I wanted to share my thoughts on the recent negotiations that occurred with The Voice, and the subsequent results.

First of all, I want to stress that these opinions are my own, and they exist with a limited knowledge of the inner workings of The Voice camera department, the positions and pecking order, how they supplement the regular shooters with day players, and etc.  I have never worked on the show and have only been called one time, some time ago.  I was not among those who were called recently, when operators who were called turned the job down and held the line at the proposed higher rate.  So I am coming at this as an outsider, but someone with some nominal knowledge of how things work in general in negotiations, and, like you, someone with a vested interest.  I am also part of the Unscripted Work Group that occasional interfaces with Local 600.

To start, I think it’s a good thing to establish the concept of what exactly is a “win” as far as negotiations go.  When it comes to negotiating, I think what constitutes a “win” is ultimately a combination of the subjective and the objective.  Obviously, we all have something to gain by mere virtue of camera operators in our genre able to make a positive change regarding rates on a long-established show.  I think it’s important to establish that ANY gain whatsoever, whether it be an increased rate, a better guarantee, or some increased safety protocol constitutes a win in our business, regardless of your personal stake in the decision.  So I think that we can start with that: because gains were made on The Voice, this is a WIN.

But just by going through the process of negotiations, it also allows us to establish certain protocol and systems that ultimately will help all of us in the future, whether it be in establishing negotiations, maintaining solidarity, or providing information to our group.

Here is where I am going to inform you that I have gathered a little bit of information from a few sources, and that I will share my thoughts on what I do know.  Because this is my opinion, you have the option to certainly read on, or not.  You can also agree with me, or tell me to STFU, ha ha!  At this point in my life and career, I’m not very interested in pleasing the room, so I’ll just pass this along with that caveat.

I think the first thing that needs to be established is that communication, especially between those who most directly have something to gain from negotiating, is absolutely essential.  It is my understanding that there are 5 regular operators on The Voice that were seeking to renegotiate their rate, but that there are also a group of 10-15 day players who are also considered semi-regulars as well (I may be wrong about those numbers; feel free to correct me if so).   Now, based on what I heard and also what was established in writing on the Unscripted Camera Peeps (or UCP for future reference) page on Facebook, I understood it as the crew of The Voice was negotiating for a rate of $780/10.  Again, not having a personal experience with the inner workings of The Voice, I understood that to mean the rate for ALL operators hired on the show, including day players, part-timers, new hires, etc.

A couple things to touch base on:  The first one has to do with establishing a rate to negotiate, and what that rate would specifically be.  What I learned is that initially there were (and still is) two different rates for operators on that show, one for the regulars, another for those hired who are not consider regulars (again, if I’m wrong, feel free to correct me).   This was not made clear in the messages that were going out during the time that the crew was negotiating with The Voice producers.  The way I interpreted it, the proposed $780/10 was the going rate for all operators.

I think the main takeaway here needs to be clarity of message.  First off, for those operators involved with direct communication with the show and its producers, I think that, even before a blast is put out on social media or whatever form of communiqué you are using to contact the greatest numbers, the operators need to have had detailed conversations with each other (in my personal experience, group texts seem to work the best) and establish EXACTLY what the goal is and what line everyone is willing to hold (i.e. what rate, and what the agreed lower figure everyone would settle on if they weren’t able to settle with production on the proposed rate increase).  For me, it’s much more important that the principals involved in the negotiations (meaning, all operators involved with that specific show whether they be full-time or part-time etc.) have unified knowledge and an agreed-upon goal.  These conversations need to happen through the entire process.  To my knowledge, this wasn’t happening during The Voice negotiations.

We HAVE to establish a united front before these negotiations begin.  I get that everyone has a different stake in this, based on their personal lives and situations and whether they are, or are not enthusiastic about the union or work groups such as UCP, or whatever.  I get all of that.  But if we are not united, this isn’t going to work.  It just isn’t.  So communication, on both a smaller level (more specific to the particular goals of those involved with the show) and on a larger level (a more collective goal of the group, meaning all operators regardless of our involvement with the show) is absolutely essential.

In regard to the rate itself, it’s always been my thoughts that the initial rate that you set for negotiations should be the highest rate everyone can agree on.  It is pretty much negotiating 101: the highest rate is rarely the rate settled on but it establishes where the range of negotiation begins.  Maybe more important than that rate, however, is the rate that everyone is in agreement is the LOWEST in which you would settle.  That also has to be established, so everyone involved knows where the line is drawn.

Obviously, negotiating with a production company, especially in regards to an established show, is daunting and can be a little intimidating.  There are a lot of elements involved:  on-going relationships with production and the specific show, perceived loyalties, personal circumstances.  That’s why it’s so important to have rounded up everyone involved, or as many operators possible that have a vested interest in that particular show, and make sure the message is unified.  Once that has been established, it’s probably a good idea to elect a point person (a good writer, perhaps) to email something in writing to the production.  It needs to be written and worded in good faith, not in a militant tone, but more in a tone seeking a fair partnership with the production.  This letter should outline the proposal.  Most importantly, it needs to be signed by everyone involved.

As far as how negotiations were finalized with the producers for The Voice, it is my understanding that negotiations settled (or broke down) at the midway between what was proposed by the operators and what was the original deal.  I think, again, where communications may have broken down was that day players may have been under the assumption that the proposed $780/10 rate was an across-the-board proposal and that there wouldn’t be two different rates established.  All operators, regardless of their position with the show, were going to make the same rate.  Also, I heard there is the possibility that, towards the end of negotiations, some operators may have broke ranks and accepted rates from production that were not the same as what other operators accepted.  Again, I don’t know if that is the case, but… if it is, there is much to be gleaned from this circumstance.  Mostly it goes back to communication between the operators involved with the show.  As we gain experience from these negotiations and experiences, by sharing this information we should be able to develop a more cohesive plan from the beginning that will serve us through the entire process up and including the conclusion of negotiations.

It is also my understanding that day players, having held the line on the $780/10 but ultimately having had to settle for the $675/10 may have put themselves in a precarious situation with production going forward, in essence having to “make amends” to get back on the show at a rate in which they initially turned down, but ultimately didn’t have a say in establishing. I can understand those concerns.  A couple things come to mind:  again, it bears mentioning that, beyond the communication, that EVERYONE understands the stakes of negotiations.  There are inherent risks that you undertake when you are part of a group that draws a line in the sand and says, we aren’t crossing this line.  But that being said, if communications did indeed break down at the end, I can see where some day play operators might have felt as if their fates were being decided for them, and that they might be outside the process.  And if this is indeed the way (or similar to the way) this went down, then we have an unfortunate circumstance, but also a valuable teaching moment available to us, an understanding that we need to stay unified, and simply do better.

In addition, I’ve learned that there may have been legal circumstances that influenced the negotiations toward its ultimate result.  I think it’s important to understand that there will be times when it’s more complicated than just butting heads with a line producer or EIC.  When it involves network programming, they can marshal formidable legal resources that on the surface can be intimidating.  Again, it goes back to communication as a cohesive group in order to understand what you may be facing in your hopes to make a positive and real change.  Look, I certainly won’t equate our struggles to BLM, but you need to know that something like negotiating rates isn’t going to be easy or simple, and there are inherent risks that one must take in order to gain something worthwhile.  And I know that many are still under the misguided impression that the union is supposed to procure better rates for us.  The union is generally willing to advise us on these matters, but most of the time, the contracts between the union and production have already been established and signed, and they can’t support us in what would be consider the “traditional” sense of labor negotiations.  The exception to this may be if the contract of a show is up for re-negotiation. But if you think that the union is the vehicle that is deigned to raise our rates, I suggest you go back and read my earlier essay on raising rates, etc.    

In closing, I think that there is much that can be gleaned from this experience.  I want to stress that I think it’s great that there was an actual rate increase that was settled on; it’s well deserved.  Also, we were able to actually see how this model of setting up a vast network between us, the large group of non-scripted operators, would work in an actual negotiation setting.  I think that because we were able to, by and large, share the message and support the negotiations in such an all-encompassing way, that alone is a win for all of us.  But we can also see where things might have gone wrong, where the communication wasn’t maybe as fluid and forthright as it needed to be. We have an increased understanding, supported by the presumed events during The Voice negotiations, about how essential communication (or lack thereof) is when we are trying to move the needle on rates which are long overdue to be increased.  We also need to understand, regardless of our personal situations or feelings, how we as a group of unscripted operators are all affected by this.  I think what happened with The Voice negotiations offers us a really valuable template in which to view, and ultimately improve, our methods, as we encounter more future opportunities to take control of our industry and our own destiny.

I Don’t Miss Sports

Thus so wretched is man that he would weary even without any cause for weariness… and so frivolous is he that, though full of a thousand reasons for weariness, the least thing, such as playing billiards or hitting a ball, is sufficent enough to amuse him

BlAise Pascal

The day when 2020 changed for me was when a co-worker and I walked into a bar near the stage where I was working. The WHO had just announced that Covid-19 was now a world-wide pandemic. The administration was still in denial; Trump had just spent the previous weekend golfing, and insisted that the USA was prepared both medically (“They have the tests. And the tests are beautiful”) and capitalistically (“We’re prepared, and we’re doing a great job with it… it will go away”). I was thankful that I still had a job, and while not drawing any hope from a government I had long given up on, I was hopeful that we would somehow muddle through whatever this was. Also, my Milwaukee Bucks, although in the midst of their first mini-slump of the season, still had the best record in the pro basketball, as well as a puncher’s chance of bringing an NBA title to Wisconsin for the first time in almost 50 years.

I ordered a beer and some food, and my buddy went to play pool. The bar was packed and humming, like there was a din of sonic dissonance or American insolance apparent. We seemed miles away from the now-familiar spectacle of shutdown, social distancing and masks. Still, there was something was in the air. I looked up at the big screen above the bar, and at that moment, watched the world change before my eyes. A news report showed that Tom Hanks had posted on Hank’s Instagram account that both he and his wife contracted Covid-19 while on location in Australia. Up to this point, there had already been approximately 1700 reported cases in the US alone. But, this was the first WOW, the first high-profile Americans to contract it. My eyes widened.

And almost immediately, on a different screen, ESPN pre-empted their programming with a special announcement: the NBA was suspending their season after learning that Rudy Golbert, a Utah Jazz player, had tested postive for coronavirus. Those two news items literally came back-to-back, and just like that, I felt it– shit got real.

I’m pretty sure everyone is familiar with what happened next. As far as the sporting world, the shutdown was the swift falling of dominos. The college conference basketabll tournaments were first going to be played without fans, then were cancelled all together, quickly followed by the entire NCAA tornament. Major league baseball suspended spring training and sent the players home. The NHL left the ice. The XFL, Vince McMahon’s spring football redux, done for the season. NASCAR postponed its races. MLS postponed operations. All the courts, playing fields, race tracks, all shut down.

We are now nearing mid-June, and while a good 40-50% of America is in denial that the shit is still real (states are spiking and new cases and death are reported daily), the sporting activity has been sparce. NASCAR is back, without Confederate flags. Basketball is promising to come back by July in an isolated Disney World extravaganza sure (hoping) to thrill us. Baseball keeps stepping and tripping on its prodigous money belt, as once again the owners and players can’t agree on who should make less money. And the NFL had its college draft, and is carefully tiptoeing into the idea of a training camp. All are operating or planning to operate without fans in the seats. This will be unlike anything we will undoubtedly ever experience again in our lives. The consensus seems to be that citizens of America are dying for anything sport-sy, to happen, to take our minds off the pandemic we stubbornly refuse to try any more to contain, and we watch the brutal bullying of protestors in the streets as if it were some sick and twisted reality game show where the losers are subjected to rubber bullets, tear gas, and… maybe death. It seems surreal. People are fighting for their lives against both the seen and unseen. Sports seems like its just hanging around… waiting. It seems like it was a long time ago….

Losing isn’t always the end, sometimes it becomes the beginning

joseph duffy

Sports for me became a core center of my existence around age 7. Up to that point, I was a kid who liked to ride his bike, did well enough in school, and liked eating cereal while watching cartoons all Saturday. Our school (and town) was too small to have the resources for anything organized for kids younger than 9 years old to participate in. Once you reached that age, then you able to try out for little league baseball in the summer. During my second practice, I was hit in the face with a line drive and got my front tooth knocked out. I was shellshocked after that, the little league equivelent of PTSD. So much for athletic glory. But there was always spectating.

I don’t remember the exact moment, nor the details, of becoming a Green Bay Packers football fan. My older brother had football cards, which I liked scribbling on. That was the extent of my earliest interest. But I do remember paying attention a little to the Packers near the end of their ’72 season. My dad and my brother would have the game on in the living room, and it seemed to have some juice, so I started sitting in. I have vague memories of the Packers getting beat by the Washington Redskins in the playoffs; by then I was smitten. Thus began our long and initially tragic realationship. The next season the Packers won 4 games, and begun a streak of 20 years in which they made the playoffs ONCE in that time (in 1982, a strike-shortened year, forever hampered by the dreaded asterisk). Most seasons, they were just horrid; their games against Tampa Bay, another perennially bad franchise, were dubbed “The Bay of Pigs” by Chris Berman of ESPN. Their play was mediocre at best, and mostly dreadful by rote. My relationship with the Packers those years was less like a love affair, and more like a disappointing marriage neither of us could see our way to quit. Countless sundays I would sit in front of the TV, watching the hapless Pack play marginal football, occasionally showing glimmers of promise, but always falling apart by the end, giving up the winning touchdown, fumbling the ball near the goal line, throwing a horrible interception to seal their fate, and in the process crushing a young boys’ hopes once again. I’d throw the notebook that I’d been tracking the statistics of the game at the TV and, tears welling in my eyes, go into my bedroom and cry out yet another loss.

To make matters worse, because the largest city near our little Wisconsin hamlet was 40 miles north in Duluth, MN, all of the television stations were Minnesota-biased, and the main game on TV was always the dreaded Minnesota Vikings. Because of the blanket coverage, many kids I went to school with were Viking fans, even though they were Wisconsin born and bred. Those years, the Vikings ruled the Central Division, and more often than not, they would beat the shit out of the Packers. The games could be unusually tightly contested (as rivalries often are), but the Vikings were simply always better and almost always won. It got so I dreaded those Sunday Packer-Vikings games, as I would have to drag my deflated ass to school and just get CRUSHED by Vikings fans. Teasing should have been a sport-for-lettering at my school; I became so psychologically damaged by teasing that just the fear of getting mercilessly razzed by my friends catching me holding a girls’ hand (which happened by the way) prompted me to avoid dating until the spring of my senior year of high school.

Undaunted by the failure of the football team, I grew to be a fan of all Wisconsin state pro sports teams. The Milwaukee Bucks won a championship back in ’71 with the great Kareem Abdul-Jabbar and Oscar Robinson; that, of course, proceeded my fandom by a couple years. My memories on the other hand were of the Bucks losing to the Boston Celtics in the NBA finals. Shortly thereafter, Kareem decided he had enough of frozen Milwaukee winters and, I would guess, the abject racism (Wisconsin then, as well as now, was inherently segregated, and is most recently considered the most segregated state in the United States), and forced a trade to the Los Angeles Lakers. Years followed of the Bucks being good but not good enough, or, good enough to give you hope, but ultimately and always breaking your heart. It’s been 46 years since they’ve played for a championship. I was also a Milwaukee Brewers fan, the team that morphed from the remains of the raggedy-ass Seattle Pilots (Seattle had enough of them after one year). The Brew Crew also sucked most every year of my childhood; we did have an over-the-hill Hank Aaron, who was playing out the string of his homer run record career, and a 19-year old shortstop named Robin Yount (the only start-to-finish Brewer inducted into the Hall of Fame). In 1978, the Brewers started to put together decent teams, helped by free-agency (basketball didn’t have free agency until 1988, and football not until 1993; which seems unreal to imagine, if only by the shear mobility of today’s players). They made it all the way to the World Series in 1982, when they lost to the Cardinals, and… that’s about it, to this day. No World Series now for 38 years.

And not only did I follow pro sports teams that were especially inept, I also played for the St. Croix Eagles high school varsity basketball team. Whoo boy. My junior and senior years: 38 games played, 1 win, 37 losses. We were out-manned and literally outsized in every game we played. My senior year, because I was the tallest starter, I got to play center. I gave up inches and pounds in every single game. I played against dudes who had 5 to 7 inches on me, big thick farm boys with whispy facial hair who beat my ass and ate my lunch everytime. It wasn’t uncommon for us to lose most games by 50 points or more. We once lost a game by 74 points. We were in the Indianhead Conference in those days, and the bus trips were sometimes 3 to 4 hours long; we’d arrive at an enemy gym bus-sick and delirious, playing in poorly lit gyms with screaming locals who wanted their Lumberjacks or Indians or Cardinals or Midgets (yup) to destroy us, and they usually did. In one game against Butternut (the Midgets), we were actually playing a close game on the road. Yours truly hit a shot from the corner to tie the game with 2 seconds left. They called a timeout and we came out of the huddle buzzed; we might have a chance to win this thing! We just had to hold them from moving the ball all the way down the court in two seconds and we had a chance to win it in OT. I’m sure I was thinking about winning this thing in overtime, when they took the ball out of bounds, and some Butternut kid heaved the ball about 80 feet. And banked it in. They win. Bedlam. My legs literally quit me at that moment, and my legless body slumped to the gym floor in horror. I laid there, increduous, for what seemed like a long time. Finally I lifted my head up and through my moist eyes I could see a little kid from Butternut pointing at me. And laughing. Instead of doing the proper thing, and punching the little fuckhead, I got up and trudged my ass once again to the loser’s locker room.

It is said that sports offers youngsters the gift of what is often referred to as “life lessons.” For me, maybe sports was telling me something like, “Hey, kid, don’t bother trying, EVER, because you are always going to be giving up 5-6 inches and 30 pounds to LIFE, and you’ll never win, so don’t waste your time trying.” But I apparently was too dumb to intpret it as that. I never did stop trying; I suppose I felt like the attempt was worth the effort. Whether it be high school basketball, or college (8 years and 5 schools to get my Masters degree), or marriage (2 of them, both failures, except for my two beautiful children), I always tried to give it my best shot and get it right, even if it seemed fruitless or pointless at some juncture. My lesson was humility. It has served me well over the years. So I guess… thanks for beating that into me, sports.

Fast forward to 2020. At first, the shutdown was frustrating. The Bucks were having maybe their best season ever. The Wisconsin Badgers college basketball team had overcome massive odds and a vast talent-gap to surge to a tie in the Big Ten, and were playing their best basketball heading into the tournaments (note: I still feel bad for those seniors, all seniors all over, in situations like sports, scholastic endeavors, graduations, milestones; they don’t get a do-over). The Milwaukee Brewers were in spring training, off the heels of two years of playoff baseball (and nearly making it to the World Series in ’18), and the Green Bay Packers, although being crushed to the turf by the San Francisco 49ers running game in the game before the Super Bowl, had at least made it that far. So there was a lot of promise, all things considered. And then, like the snap of the fingers, it just stopped.

This is a very contagious virus. It’s incredible. But it’s something that we have tremendous control over.

donald trump

The first thing about the Coivd-19 pandemic that was so mind-boggling to me was that literally NO ONE knew what to make of it. Of course, we had Polio, HIV/AIDS, H1N1 (you wonder how bad H1N1 COULD have been had the administration in 2009 handled it as ham-handed and badly as the current administration has this one, but I digress). But nothing since the Influenza pandemic of 1918 was as similar in its severe and life-changing quality, and has stonewalled the basic machinary of humans living a life in its tracks.

It’s a bit misguiding and telling that the one of the first things I noticed about the pandemic was how it affected sports talk radio, and the sport of “talking about sports.” There is hardly anything useful about sports talk to begin with; it’s mostly premeditated noise to fill the void between the time when the balls (and the puck) are in play. It’s a massive and expensive business, though, the need to have “experts” in their particular sports field offer insights that amount to mostly educated guessing. Only the weatherman guesses more than sports punditry. But I admit that during my drive into work on any given day I would park my auditory senses in sports talk alley to hear various sports talk experts wax rapsodic in between auto parts commericals. I confess that sometimes it’s interesting to me, the specualtion and rumination and hyperbole. But, once we were embroiled in our Covid-19 reality, I quickly realized that these self-confident (mostly) men who could fill the airwaves skillfully with banal sports chatting, were at a complete and utter loss. They had no more a fucking clue than any of us did as to what happened or what was happening or what was to come. Once the sporting field of play fell silient, sports talk devolved into on-air conversations about “shopping for toilet paper”, “the meats I’m grilling this weekend while in isolation”, or “the merits of our interns past and present.” The sports talk pond muddied, as aimless carp kept swimming through their shallow waters in useless circles, until food (in the form of Tom Brady or the NFL draft or”The Last Dance”) was dropped in the water, whereas they attacked with the manic energy of piranha. Sports talk radio (and television) has proven to be mostly banal and useless, and has inadverdtedly hastened my sports apathy. It would have been much more useful to pre-empt all that sports jibber-jabber with useful information relating to things coronavirus that were very real for citizens, like understanding how to manage the overwhelming elements of this pandemic, as opposed to what LeBron had posted on Instagram today, or what happened last night on “Tiger King.” And while I understand that forums like sports talk radio exist to help people “escape” the uber-reality we have been in, there comes a point when we are best served to escape the escape.

Even more topically, the national/international impassioned outrage generated by yet another black citizen brutaly murdered by a white police officers (as if on a loop), has pushed people out of their Coivd isolation (for reasons other than gatting a haircut). It has spurred protests and galvanized and polarized an already frayed-at-the-seams America. It’s obvious that sports, as well, is a reflection of the current strutcture of racial inequity and systemic racism. Most basketball and football teams are organizations that feature predominantly black athletes working for predominently white ownership. The participants of these teams therefore should and have taken an active participation in the ptotests and statements. It seemed odd and maybe telling that, although some prominent athletes were involved first-hand in the protests, many were oddly quiet. A “Black Lives Matter” video featuring a number of current NFL players, lead by MVP and Super Bowl winning QB Pat Mahomes, released by an NFL Creative Producer and apparently initially behind the back of the commissioner, confirmed that black players voices would be heard, and they would damn well sure kneel to support their cause if they wanted to. This is of course in reference to Colin Kapernick, the 49er QB who kneeled during the playing of the national anthem in protest of police violence against black citizens during the 2017 season. This caused an apocalyptic and predictable seizure by both a primarily white fan base and ownership. Roger Goddell, the NFL commissioner and owners’ shield for all things shield, along with everyone else on the wrong side of this moment, chose to view the gesture as an affront against the American Flag, the military and all things ‘MERICA. He succombed to pressure by Trump (who famously called Kapernick and the other peascefully protesting players, “Sons of Bitches”) as well as the owners (many who are known Trump supporters) to police the players rather than support them, and the league has consequently and unsubtly blackballed Kapernick. When we circle back to 2020 and see that the NFL and Goddell have offered condolences to the various black citizens killed by police brutality as well as tepid support of the players and their right to protest this monstrocity of justice, it’s especially important to view this pragmatically and not emotionally. In that statement (and pretty much in step with all the statements by suddenly-woke billion-dollar corporations) they were very careful to not mention police injustice or brutality in their statement. Nor did the NFL statment mention Kapernick. There was a largely collective “F you” from many on social media, A number of players responded, some positively, a few badly (paging Drew Brees?). If there are games this fall I would wholly expect that these owners will have to once again contend with (this time) a much more active and galvanized and unified group of players who will be kneeling in protest even before the first strains of the Star Spangled Banner start to warble through the air in those empy stadiums.

As balls on ball racks around the world began to gather dust, the only meaningful hoops we have been treated to was the not-really-a-documentary “The Last Dance”, or as writer David J. Roth put it,”Michael Jordan Presents Michael Jordan.” So starved, we are, to be entertained in that “pull back the curtain to reveal the real Wizard of Oz” sort of way, it was weirdly very desirable/watcheable in a similar way as “The Tiger King” was. It was, however, silly/happy idolotry to re-live a young Jordan-in-his-prime do some of that mind-blowing shit he did on the court. Has it really been almost 40 years since he hit the shot to beat Georgetown in that national championship game? As far as the current dance goes, basketball on the surface seems to have it the most together, and will most likely leave baseball in its wake. This is actually not surprising, because the NBA has probably the best commissioner of the major sports leagues in Adam Silver, and coherence and leadership starts at the top (which, I offer, exists in its opposite form in terms of our government). The NBA is about to embark on the conclusion of regular play with a tentative July 31. But even basketball, which probably features the greatest collection of visable and vocal black athletes, is at the moment looking at a “hold on a minute” as well, as their players decide how best to make a profound and positive statement against racial injustice and police brutality.

Football gave us (meaning a dehydrated fan base and media) a moment of respite with the NFL draft, three days of seeing NFL executives in team-authorized polo shirts and sweat shirts choosing players while operating not unlike the fanatsy football world, as heads were buried in laptops, praying the wifi doesn’t go out suddenly while making the first pick. Incidentally, the Green Bay Packers provided the prerequisite drama by moving up to pick a QB, ignoring other obvious and pressing needs. Obviously, it reeked of karmic redux, when in 2006, with an aging future Hall-of-Fame QB already on the roster, Packer management took the bold (and crazy dumb and dangerous, according to many) step of alienating their current star QB. And 14 years later, we are backhere again. It certainly energized (i.e. enraged) a fan base, and provoked every paid (and unpaid) NFL pundit to annoint themselves as the mouthpiece of Aaron Rodgers.

Baseball is currently embroiled in a stand-off, as owners and players clinch their money tight in their fists and leverage their participation in something that would lift people’s spirits during the daily metrenome of this virus that continues to proliferate (are we surprised?)) despite the denial of people in Orange County, or Texas, or Florida, or in the White House and so many people who have just decided that they simply are not going to acknowledge the obvious (side note: do you notice we never hear from doctors at the White House breifings anymore?) At the initial contemplation of imagining that baseball games would be played, the earnest study of the various elements that would need to be considered to get baseball players back onto the field and into empty stadiums seemed to focus on the safety of all those indivduals, as well as any and all personal tied to the games being played. But in the way Covid-19 become something a large part of our society decided it could wish away or just ignore, the virus became an afterthought once the two sides, buffered by unions and lawyers, took into consideration the money involved to make this happen. The two sides continue to push proposals back and forth across the table, each seeking to make sure the other doesn’t take a clear advantage over the financials. The most recent volley to the latest serve from the owners is that from MLBPA executive director Tony Clark, who represents the players. “The players are ready for the season. Tell us when and where,” said Clark. Will the owners suddenly set aside their natural inclinations of averice to come to an agreement? Uhhh… ehhh…. undeniably, almost everything that happens in our world (even our health) comes down to capitalism, and that is where, especially, baseball, even in this truncated state, is entrenched. As each day passed, I find myself between “Uhh” and “ehh” and also “ugh”. To be honest, I really don’t give two shits whether they throw the ball out on the field and yell “play ball” or not at this point. My passing interest in baseball was grew gradually over the years, as the massive influx of money, the high ticket prices and ridiculous concession fees, the forever-slanted fairness of its teams lacking the leveling fulcrum of a salary cap, and the emergence, and the subsequent childish denial, of high-tech cheating, all has created a confluence that, for me, has submerged the once-gilded diamond in a stagnant pool of apathy. When billionaires and millionaires can’t even sort out the simple math of how many games to play in order to salvage an already lost season, I’ve already drifted away. Fuck em.

Everyone who is not happy must be shot

john le carre, “the little drummer girl”

The thing with sports, it’s that we fans of all these teams, and of all these athletes who play the games that are on the teams we follow, WE are the owners. Not in the literal sense, of course (note: although you can at opportune times buy useless stock options for the Packers; they give you a certificate and it says you are literally a part owner, though you never get to vote and you never receive a cent of the profits). But fans are also owners in the more cosmic, spiritual way. They own the team in the league of civic pride, and in the most possessive sense. As a fan, your insides glow with pride in good times, and burn with shame in hard times, alternately, and you get pissed when they suck, and euphoric when they excel. And when that team ascends to the mantle of the best, the champions, then you are like a king, like royalty. You are on a pedestal, and for a lot of people, millions and millions actually, they will never get to experience something like that EVER in their own daily personal lives. For most of us, this feeling is as good as it can get. So when your team wins, by approximation, YOU WIN: you look over the land, your heart swells huge and moist, you feel good and you just want to open the damn, let your emotions flow out of you. Emotions are liquid much of the time; many people cry when their team wins, maybe even more than when they lose. I used to cry when my teams lost, so when they finally won, after all the losing I endured as a fan, as a participant in my own truncated sports career, my pride welled up in my eyes. Winning is like a blessing and a cleansing. The feeling wasn’t actually that much different than when I was in the hospital room as my children were born, when the nurse places that tiny exhausted breathing pink miracle in your hands, and you think, I’ll protect you for the rest of my life, but not just your child but also that FEELING, because you just know it is like nothing you ever will feel in that particular way ever again. And being the champion, on the winning side, especially after so long being a loser, or mediocre, or an also-ran, well, it’s just a real beautiful thing, baby–

So maybe we all miss this: the vicarious pursuit of the dream. In 2020, the political arena has become much like sports is (or was), where we root for our particular team, despite the obvious flaws, and we find ourselves invested emotionally in the outcomes. I’m as guilty of anyone. It’s very easy to choose sides in this very polarized America, and it’s even easier to cherry pick flaws on the other side of the aisle. But even though I’m obviously rooting for one certain team (although I’m less than thrilled over who was chosen as the starting quarterback; Biden is like the wily veteran who has lost his ability to throw the deep ball, but can still call a good game (with help) and make all the short throws, but is prone to the dumb mistake at the worst moment), I am trying to take in as much useful information as I can, and consume it in a critical way. It’s like sports has stepped aside to allow all of us to emmerse oursleves in the important things happening now that will critically affect everyone in this moment, and for years to come. I’m reading more news, and listening to more critical dialogue than I have ever in my entire life. Politics and the world around me has temporarily become my Sports. For this moment, and of circumstance and necessity.

I am surprised as anyone who knows me would be when I say that I don’t miss sports. Maybe I’ll get back on board with it once things pick up, but the truth is I don’t think anything is going to be how it was, and that includes how we are entertained in most ways, and that includes sports. But I don’t miss it, honestly. Sports seems very insignificant at the moment. Wearing a mask, maintaining distance… fighting for your life in that very personal space you inhabit, and in the much larger space we must share…. knowing that whole groups of people in this world have been fighting for 400 years, just for basic human rights many of us take for granted… protestors dodging rubber bullets and breathing tear gas that undoubtedly weaken the lungs and fracture a person’s immune system… needing to stay engaged and understanding what’s at stake… people like me, like all of us, comprehending now and daily that people are infected and repressed and bullied sick and are still dying, and have been dying, and still will be dying– that’s really the only game in town.

Fuck (then reform) Tha Police;

Back in the day, there was a band called The Osmonds (currently considered royalty in Branson, MO), who seemed to exist specifically to be the white counterpart to the Jackson 5. Their big hit was “One Bad Apple”; Donnie Osmond, the Green Goblin to Michael Jackson’s Batman, sang impossibly high and I can still remember the chorus: “One bad apple don’t spoil the whole bunch, girl…”

I was reminded of that chorus this week, as the intensity of protests burned across the nation, nee the world, over the murder of George Floyd, as well as the deaths of Breonna Taylor and Amuad Arbery. As protests took place in approximately 350 cities worldwide, the police were on the main stage. There were a few displays of actual human pathos: a sheriff in Flint, MI, took off his helmet and put down his baton and turned their protest “into a parade”; a Shreveport LA officer consoled an emotional and overwhelmed producer; police in Atlanta walked with protestors in a confrontation that started with tear gas and ended in a show of unity. These were, and are, heartwarming and powerful images.

Unfortunately, there were only a few of these, and those images were overwhelmed with ones like this: https://www.youtube.com/watch?v=AuZZ7aJ07Eg

And this: https://twitter.com/JasminaAlstonTV/status/1267161054095839234

And this: https://twitter.com/outerspacemar/status/1268586934533832709

And this: https://www.wave3.com/video/2020/05/29/wave-news-reporter-hit-with-pepper-balls-during-louisville-protest/

Or, you can just go to the Twitter feed of T. Greg “Credulous Propagandist” Doucette, who has collected well over 200 tweets from people who have taken video on their phones of police violence subjected upon protestors, bystanders, commuters and the media: https://twitter.com/greg_doucette

In Robert Balch’s seminal study, The Police Personaility: Fact or Fiction, among the topics he seeks to identify is the concept of authoritarianism related to being a police officer. In his studies of various other works of systemic police personailites, Balch states that although the authors “vary in emphasis, there is remarkable agreement on the characteristics believed to make up the police mentaility… including suspicion, coventionality, cynicism, prejudice, and distrust of the universal.” He also lists a number of parallels between police mentality and what is referred to the F-scale (“F” stands for “fascist”) personality test. It reads like a Hollywood script version of the Angry Cop:

a. Conventionalism: rigid adherence to conventional, middle-class values.
b. Authoritarian Submission: submissive, uncritical attitude toward idealized moral authorities of the in group.
c. Authoritarian Aggression: tendency to be on the lookout for, and to condemn, reject, and punish people who violate conventional values.
d. Anti-intraception: opposition to the subjective, the imaginative, the tender-minded.
e. Superstition and Stereotypy: the belief in mystical determinants of the individual’s fate; the disposition to think in rigid categories.
f. Power and “toughness”: preoccupation with the dominance-submission, strong-weak, leader-follower dimension; identification with power figures; overemphasis upon the conventionalized attributes of the ego; exaggerated assertion of
strength and toughness.
g. Destructiveness and Cynicism: generalized hostility, vilification of the human.
h. Projectivity: The disposition to believe that wild and dangerous things go on in the world; the projection outwards of unconscious emotional impulses.
i. Sex: Exaggerated concern with sexual “goings on.”

We’ve seen SO MANY IMAGES of police in riot gear, dispensing some brutal form of justice (!?!) on protestors… so many images. This makes it appear like it’s not one bad apple, girl, it’s the whole tree. Yes, we see glimpses of good cops. But there’s this prevailing falacy, supported by a history of American jingoistic do-good sentiment, that “good” will ultimately prevail. The good cops will eradicate the bad ones. But what we are seeing on many of these videos is that whatever little good there is is washed downstream by a raging undercurrent of bad. Another thing to remember is, and one of the reasons we are having these protests in the first place is, it’s hard to effect any change when you are in the minority, and the majority has more power, more heft, more money, more resourses, more everything. The story of the good cop triumphing over the bad cops is a solitary tale. Like most gangs, cops move in packs, and if the bad cops are in the majority, there is little a good cop can do to affect that. When is the last story you remember of a good cop attempting to disinfect the rotten entrails of a crooked ring of cops? Remember Frank Serpico, the cop Al Pacino played in the movie back in the 70’s? That was a half century ago. There aren’t many stories like that, and that’s because it’s HARD to rat out your co-workers even if you know that they are doing wrong, especially in a pseudo-military operation that even in supposed good times is largely patricarchial, largely white, and operates in a locker-room hierarchy. A good cop who rats on his co-workers may very well pay with his life. See how long it takes for backup when Good Cop calls in a 1035 Code 2. So, Good Cop plays along, keeps his mouth shut. And so you have images like this one, when a cop pushes an old man down and he cracks his skull, and a riot gear-clad policeman actually is momentarily compelled by human impulse: https://www.youtube.com/watch?v=jlmAfv-mrXA

One trait not mentioned in the previous mentioned study was the concept of Fear. Fear is a strong motivatation for all of us, exceptional and ordinary, powerful and weak, black and white. Watching the videos and reading the accounts on social media and in articles, I see alot of things. Mostly I see fear. On both sides. One side fears that things are never going to change. The other side fears that things might finally be changing. Fear in the White House that maybe this mostly successful rein of authoritarianism and division and oppression might finally be starting to fray a little. In this very broke version of America that we are living in right now, riddled by a worldwide virus, sickened by generational racism, and polarized as if the earth were cleaved in two, we seriously need things to change, now.

When you watch most of those videos, you can’t help but get angered, outraged, scared and saddened. So, yeah, Fuck Tha Police.

The call for police reform is certainly nothing new, as the concept of a police force (note the word “force”, the mere definition of it, using strength or coersion especially with the threat of violence, and understand why we are here at this moment in time) was secular and flawed almost from the beginning. Policing in this country was initially a private and for-profit enterprise. Although the first publicly-funded police force was established in Boston in 1838, they also grew out of what were called “Slave Patrols”, which were pretty much what you would expect them to be, an organized gang created to chase down runaway slaves and restrict uprisings. It’s severly eye-opening to see that in the span of approximately 180 years the role of the police has advanced so little up to now. It wasn’t until the 1920’s, when President Hoover commissioned a group to investigate the ineffectiveness of law enforcement nationally, that police reform was even a thought. Historically, and we see this now as we did then, the concept of police reform was usually swept under the carpet by whatever particular ruling class was (and is) in power in this country at the moment. Not surprisingly, the Trump years have shown a slavish support and mass allocation of resources to the police. With the recent events (the murders of Aubrey, Taylor and now Floyd), police reform is once again brought forward blinking into the bright light of scrutiny.

So let’s take a look at some of the ideas we could consider regarding police reform:

De-funding: This has always loudly and justly suggested as the first place to start. Poiice forces have a ridiculous amount of financial resources allocated to them. Los Angeles, which has long held a deserved reputation as one of the most overtly racist police forces in America since the 1950’s, currently carries about 10,000 officers on a swollen $1.8-billion budget. The mission of LA’s city government and three different mayors was to increase the numbers of officers from approximately 3,000 in the post-Rodney King/riot days to the present number. In light of the recent incidents, Mayor Garcetti has proposed a $250 million reallocation of funds earmarked for the police to be spread among youth jobs, health initiatives and healing centers, and damages paid to those that have suffered discrimination. It’s a start, and other cities and mayors will and should feel pressure to defund their own police forces. However, it’s going to prove to be a hard climb. They will of course get no support from the federal government; funding has increased since Trump took office in 2016, and his response to the murders and protests is pledging to crack down on protestors by “dominating” the streets. In addition, defunding in Los Angeles and other cities already received pushback from the police unions, which brings me to….

The AFL-CIO needs to disaffiliate from police unions: In 2016, after the deaths of Alton Sterling and Philando Castile, two African-American men shot to death by police within a 24 hour span, Richard Trumka, the president of the AFL-CIO released a statement which included the following: “Labor cannot and will not sit on the sidelines when it comes to racial justice”. The International Union of Police Associations (IUPA) represents over 100,000 law enforcement employees and is currently affiliated with the AFL-CIO, granted a charter in 1979. Since the Floyd murder last week, a number of publications have written articles decrying the proclivity of police unions to protect their own in regards to the way they police, their use of force including military tactics, and ultimately the insulation of bad cops with a multitude of rules, loopholes and protections upheld by the language of their labor contracts. It’s no small matter that Derek Chauvin, the Minneapolis police offer charged with 2nd degree murder in George Floyd’s death, was still on the force despite 18 prior complaints, including his involvement in shootings involving a black man in 2008, and an indigenous man in 2011. Supported by union protections, he was verbally reprimanded but not discliplined, and continued to serve active duty. The language of those protections makes it incredibly difficult to charge, much less prosecute, a police officer. It took over 5 years to finally take away the badge of Daniel Pantaleo, the cop involved in the 2014 murder of Eric Garner. When Pantaleo was first fired, his union immediately appealed for his reinstatement and threatened a police labor slowdown. Trumka has appeared active regarding progressive causes within the ranks of labor; this week he tweeted, “We must continue to fight for reforms in policing and to address issues of racial and economic inequality.” The AFL-CIO has previously disaffiliated with some of it’s former unions, inlcuding the Teamsters. Disaffiliating with the IUPA would be a strong statement against the brutality and militant abuses of the police.

Require police officers carry their own liability insurance: Police departments i.e. taxpayers pick up the tab for police officers who have been convicted of crimes during service and against citizens. In a 2014 study by Chapman University regarding police indemnification, it was found that taxplayers ultimately footed the bill for 99.98% of judgments and settlements against police officers. Think about this: you are a protestor and you suffer some injury against the police (shot in the eye with a rubber bullet, pepper spray affecting your respiratory system, etc). You attempt to sue the officer who perpetrated the crime against you. Provided that your case even reaches the court system, let’s say you win, which is of course great. But because you are also a tax payer, you could conceiveably end up sharing in the payment to yourself on behalf of the cop who was convicted on those charges against you. Do you think police offers would act so brutally and maliciously if they knew that they were responsible for the consequences of those actions? And although I understand that the requirement of wearing body cameras is supposed to be a way to “police” the police, it’s already been proven during this past week that the cops don’t always turn on those cameras. And, before you say something like, “well, wouldn’t the threat of knowing they could be liable to pay for the settlements, wouldn’t that limit them in the performance of their duties?”, consider that doctors also operate in high-stress, and in many cases, life-and-death situations, the lives of so many citizens their direct responsibility. Doctors have to carry their own malpractice insurance; they bear the burden of responsibility for their actions. It should be required that cops bear responsibility for their actions as well.

Suspension/Forfeiture of Pensions: Many states have provisions that establish, if you are a public or state employee and you are convicted of a crime related to your job, you can lose your pension. However, there have been a multitude of cases where police accused or convicted of misconduct or criminality are allowed to keep their pensions. This is achieved in any number of ways– tenure (years of service), plea bargaining, legal loopholes. In 2012, a Chicago city detective named Dante Servin shot and killed Rekia Boyd, a 22-year old black woman, in what was ruled an “unjustified” killing. Despite activists, including Boyd’s family, fighting to have Servin fired and stripped of his pension, he managed to keep his job until he quit the police force in 2016. The Boyd family ultimately received a $4.5 million settlement from the city of Chicago, but without Servin admitting any wrong doing. But, because he voluntarily left on his own rather than being forced out, he managed to retain his pension: “(Servin) ducks under the wire and protects his pension rights, and protects his record in the sense that he’s not fired from the Chicago Police Department– he’s resigned,” said the People’s Law Office civil rights lawyer Flint Taylor. Paying a cop who has been prosecuted amounts to little more than a sentence of retirement. It should be mandatory that any offer who is suspended or is under investigation should not only be on unpaid leave, but should also have their pensions suspended as well. If there is any admissable guilt (including within plea bargaining) they should lose their pensions completely. And when 57 Buffalo police officers walk off the job after two of their co-workers are charged with assult against a 75-year old peaceful protester, they too should have their pay and pensions suspended.

A percentage of a police force in a given community should be part of that community: A 2017 article in the Minneapolis Star-Tribune noted that the percentage of Minneapolis police officers living within the city limits was only 8%, while other officers lived in suburbs outside the city, some outside the state of Minnesota (in Wisconsin) and one officer communted 60 miles each way to work. I have no way of knowing this, but if I had to guess, I would assume that most cops who do not live in the areas or neighborhoods they patrol have little to no affinity for those places. It’s probably more likely that they are in opposition with the people they are supposed to be protecting and serving. It goes to figure that, as a police officer, if you have a vested interest in the area where you work, you would be more interested in protecting it, keeping it safe, and investing spiritually in the overall civic health of the community. Living in the area in which you patrol establishes a certain accountability to that area and its citizens. City police forces should be required to employ a decent percentage of residents as employees for the police department in their municipality– preferably officers, but also staff. I list this as more of an ideal, than realistic, solution, as I do recognize the real world implications of this.

A degree in Public Service studies of some sort: In a 2003 Bureau of Justice Statistics study, 83% of all U.S. police departments required a high school diploma; only 8% required a 4-year college degree. There is also a perception that the military is a conduit to the police force. In an analysis of U.S. Census data performed by Gregory B. Lewis and Rahul Pathak of Georgia State University for The Marshall Project, they found that only 6% of the population served in the military; but of that percetage, 19% became police officers (the third most common occupation for veterans behind truck driving and management). The optics of current policing, especially in lieu of what we have seen the past week or so during the protests, seem to indicate an overall militarising of the police force. The armour, firepower and resourse of a large metropolitan area probably dwarfs that of most small countries. Consequently, it also appears that there is a lack of ability to relate to its citizens on a humanistic level (we’ve seen this in so many samples of video over the past week). A suggestion would be to require police officers, upon their ascension to the force, to complete at least an undergraduate degree over the span of a specific number of years in some form of Public Service studies. These could include studies in Public Aministration and Policy Analysis, Political Science and Government, Criminal Justice, Education Administration, Public Health, and Social Sciences, to name a few. There have been a number of studies on the benefits of higher education for police officers, including a 2014 Michigan State University study which concluded that higher education would positively impact the perfomances of police officers in a number of ways, including better skills in independent decision-making and problem-solving, less likely to be involved in unethical behavior, and less likely to use force as the first response. Police departments could dip into those massive budgets to further incentivize officers by subsidising a portion of those studies. Education is an investment unto itself.

These are just a few suggestions, and of course there are probably many more. Committies (the body of which is made up from elected private citizens of that particular community) that exist to review questionable behavior of police offciers and grievences by communities toward officers have been one such option, but usually lack the teeth necessary to make actual judgments and levie legal decisions. These commities could be created with more actual power than that of an advisory capacity.

Campaign Zero, a campaign launched around the time of the Ferguson, MO protests in 2015, proposed the “8 Can’t Wait” project, which is quickly gaining more momentum this past week. Ideas like emphasis on de-escalation techniques, banning chokeholds and other choking tactics, and requiring officers to intervene when excessive force is being used have been slow to gain traction, but the protests following the Lloyd murder are putting pressure on police forces nationally.

But the question remains, has remained, and undoubtedly will remain. How in the bloody hell can you fix something that is so thoroughly and institutionally broken? To paraphrase Fanon, Sarte, and Malcom X:

By any means. Obviously. Essentially. Absolutely.

Musings about how non-scripted (re: reality) Camera folk can move the financial needle while in the midst of a pandemic

(Editors note: This document was created with information from additional sources, which have been credited. Additionally, a number of people have provided ideas and information to help fact-check and provide clarity. They have not been credited (although one was quoted), but should they read this, their input is acknowledged and appreciated. Otherwise this document specifically reflects the views and opinions of the writer (of this blog), and is not affiliated with any groups, coalitions, unions, organizations or the government; enjoy)

To say that the year 2020 has been unique would be a dramatically gross understatement.  The last time we dealt with a real world, life-altering pandemic was the year 1918, and I’m pretty sure none of us were alive, nor were our parents and probably not our grandparents (unless your gam or grandpa is over 100 which in that case God bless ‘em and keep them safe!).

These United States are embarking on a shaky and, in some circumstances, grossly premature attempt to return to some semblance of economic reality, the equivalent which will be that of running the Kentucky Derby with a three-legged horse. 

There won’t be a “normal” anymore, at least not as far as 2020 is concerned.  Quite possibly, things will never be the same that they were prior to early March of this year.  I suggest this because we are on the precipice of summer time, and those of us working in unscripted television have, honestly, no idea when we are going back to meaningful work.  I’ve heard, from a number of camera and production folks, a wide swatch of start-back-up projections, ranging from as soon as next month to as far away and extreme as we might not even shoot the rest of this year.  I’ve heard some small shows are beginning to crank back up.  I’m not going to play Nostradamus; if you have heard you are going back to work sooner than later, then you are fortunate.  Or, maybe you aren’t so fortunate, if you are rushing (or being forced to rush) into a situation where you might not really be safe.

Obviously, more than ever, our safety is important and obviously our industry is among the many that involve large groups of people of varied perceived importance and salaries sequestered onto buildings and stages and situations.  However, this isn’t about those mammoth difficulties involving a re-start of productions; many people smarter than me are struggling with the details right now and it’s a bit mind-boggling.

So I’m going to focus on the idea of rates., and specifically operator rates.  It’s probably the most prevalent conversation in our specific window of the industry.  I realize there may be other people in this group (AC’s, utilites, robo ops, specialty cams) who have their own specific issues with their rate of pay, and for that I apologize and recognize your concerns, and suggest that you will have your day to raise that issue.

Before I get started in on the idea of rates, I’ll systematically consider a number of elements we need to consider when looking at Operator rates:

In the beginning:  There’s a fair amount of uncertainty regarding how camera operator in unscripted productions were saddled with their rate.  Although at the time there wasn’t a large market regarding the number of non-scripted productions, there were shows enjoying a fair amount of success, both ratings and financial, on any number of networks, both network and cable.  And when you consider that some of these non-scripted shows utilized well over 20 operators and 20 assistants per a given day of shooting, I’m certain someone recognized the massive potential for filling their banks.  The rate primarily settled on for union non-scripted, from what is known to be The Green Book, or the VTA (Videotape Agreement) is currently the albatross that we drag with us to this day, and have for over the past 20 years or so.  That’s not to say we can’t overcome that rate: Live and Stage show operators are also included in the VTA but by sticking together and having a unified goal, they are able to negotiate rates above those contained in the VTA.  Additionally, there is another much more palatable rate in what is known as The Orange Book, which outlines the rates for operators working on features and episodic television productions.  It’s more in line with what we ought to be making but we aren’t.

However, as many as we think we are, we aren’t:  I mentioned early about what would seem to give us a numbers advantage within our place in the 600.  Surely it would seem that, based on the sheer number of shows. many with large crews, unscripted would make up a large piece of the 600 pie. 

Umm… not so much.   

At this juncture, non-scripted directors of photography, camera operators, and all categories of camera in non-scripted production make up approximately 5.7% of active membership that makes up Local 600.  Seems hard to believe, doesn’t it?  But it helps explain why it’s difficult for us to get any leverage when it comes to making headway in raising our basic rates.

We are 1 of 13:  There are currently 13 locals in the Hollywood Bargaining Unit, which negotiates the Basic and VTA for us (the agreements between IATSE and AMPTP (Alliance of Motion Picture and Television Producers) that are negotiated every 3 years.  Twelve groups other than us, with their own issues regarding rates, benefits, and safety issues, and their own separate contracts.

Or think about this:  you’re in a room with 12 other people.  You are all trying to decide what to eat for dinner.  Some people have different preferences, some might have allergies, a couple people may be hard-core vegetarians, one might just prefer to drink their dinner.  Now, consider unscripted operators, based on our numbers of representation in the Local 600; we represent the 4-year old on the hand of the adult, and as much as we scream about wanting to have candy for dinner, we most likely will be shushed, or ignored.   Whether or not you buy this categorization, it’s important to remember that unscripted has made actual and positive inroads within the union.   We are now represented within the Union (through what is currently known as the UWG, Unscripted Work Group) and have unscripted people on the National Executive Board, which ain’t nothing, to use a double negative. 

IATSE is listening (sort of) but already knows the answer to the question you most want asked:  At a meeting at the Local 600 prior to the 2018 negotiations with AMPTP, the very powerful group who IATSE negotiates with every three years in order to try to improve the status of its workers through re-negotiation of  the Basic Hollywood Agreement and the Videotape Agreement (the primary contracts which cover our position in the industry), one of IASTE’s primary negotiators pretty much summed it up like this (note: this isn’t verbatim):  “Every three years, we make prescient and salient arguments as to why our workers should have higher wages.  And the producers will often agree with us, and assure us that they hear us, but the answer is NO.” Above the line loves its money, and they do not want to share it with you.  This is an infallible truth.  Or, if you want to subscribe to the Star Wars theory of hieracrchy, AMPTP is our Darth Vader.

So, you say with defiance, we should strike! :  Uh, sure, but at this point in time, there hasn’t been an industry-wide walkout in the entire history of the union, which is about 127 years old.  Possible?  Sure.  Probable?  Doubtful.  It would require a mammoth commitment and change of mindset of our part.  Like winning the lottery, it’s fun to occasionally muse over, but not very realistic to actually achieve.

This isn’t fair:  You’re right, it’s not.

You’re not making this sound particularly hopeful or positive:  You’re right, I’m not.

So what are we supposed to do, smart guy?  Well, I’m glad you asked. 

In case you missed what I said earlier, let me reiterate:  We could be on the verge of something great.  Similar to what occurred in ’08 during the writer’s strike, the door is open for unscripted production to take a very large and fortuitous financial step into the arena.  It’s most likely that smaller productions will be shooting before the bigger, audience-based, large competition-type shows will be back in production.  A major step in the right direction for unscripted camera people will be wrangling the opportunities that are coming our way.

The truth is that there’s only so much the union can do for us as far as moving rates on unionized shows.  The 600 and IATSE are legally prohibited from helping us raise our street rates because they negotiate our contracts.  The communications we have here, or have on the Our Local 600 Facebook page, or any other organized arena that might even indirectly involve the Union, are not sanctioned by the Local: “Essentially any communication about street rates is a matter between… colleagues and is not part of the local or the IA’s agenda”.  IATSE and/or the 600 may also have specific contracts with certain production companies, where those contract details including rate scale has already been established and is not open for negotiation.  If you are interested to learn more about the various contracts (and you should be), here’s a link to the list of the most recent versions of some of those contracts:

https://www.icg600.com/My600-Pages/Contracts

I’m making this point to emphasize again that whatever we accomplish from this point moving forward will largely be a grassroots function that needs to involve ALL OF US.  It’s sort of like that old proverb: “If you don’t vote, don’t bitch.”  If you don’t want to get involved, then don’t bitch about your rate or falling short of your benefit hours if you had a chance to negotiate a higher guarantee of hours.  And if the pandemic didn’t underscore the obvious, I’ll mention it here:  Everything is Political, whether you like it or not.  Decisions will be made with you or without you.

For us to move the proverbial needle, however, is going to involve an effort from the body of us all that is equal parts utopian and visionary.  This method involves both flipping shows, and raising rates, as they are interrelated subjects:

Ask questions:  When you have been called, it’s ok for you to ask for the names of the other operators.  Sometimes you already know, but if you don’t, ask.  Ask not only about the rate but guaranteed hours in your deal.  Those hours are important; they will affect not just your daily rate, but also your health and pension benefits.

Communication:  Whether it’s flipping a show or raising rates or attaining a higher guarantee, it’s so important that we communicate.  It starts with the operators on a given show, but that circle needs to be expanded to include as many of us as possible.  By communicating, we are able to say things like, “Hey, we are trying to get this show flipped; please support us by not taking the job when they call looking for someone else.”   Or, “Hey, we are trying to get said show to pay us a better rate; please don’t undermine us by taking the job if they call you.”  Is this fantasy?  Right now it is, maybe.  But it doesn’t have to be. 

Have a plan:  If you are attempting to flip a show, there are effective ways to do this without putting your neck out there on the line.  Granted, there is always some risk (no risk, no reward, right?).  But a phone call to one of the labor reps, or a text or email to one of the people on the UWG, and you’ve already made inroads.  If you are not sure how to go about taking that steps or crafting a procedure to do so, many of us by this point have been involved at least once in the flipping of a show.  Use the safety of this email group, or the Our Local 600 page.

Do your research:  If you are looking to increase your rate, know what the general rate scale is.  Obviously, each individual show is a unique matter, but for non-scripted, the VTA (Video Tape Agreement) Rate Card is the one normally utilized.  

The minimum for 8 hours is $413 ($51.63/hour), and stands to increase by 3% by October 4, 2020.  As mentioned, both the Basic Hollywood Agreement and the VTA are scheduled to be renegotiated sometime in 2021.   In addition, understanding the dynamics of the show you will be working on allows, as well as the company you will be working with, will help you and the camera group to craft a plan.   For instance, many productions book operators on 10 hour deals.   That will convert your daily to $567.89/10 (stands to increase by 3% by October 4, 2020).  Is that enough for you?  Maybe, but probably not.   In lieu of what operators on live shows, scripted shows, episodics, etc. are making?  An emphatic “Fuck No”.  And if you really want to get pissed off, you should see the other positions who are making more than we make. You can’t really be pissed at those individuals, though (like audio mixers);  however it worked out, maybe they evolved into higher rates, or maybe they had a better plan, but either way….

Respond cohesively:  Once, as a group, you’ve reached a decision as to what (if anything) you are asking for, now is the time to inform production.  Have someone on your camera team craft a response; on a recent show, Lego Masters, one of the operators wrote a respectful but specific letter to the line producer on behalf of the operators.  It outlined that the operators understood the goals of the production, but also supported by the operators felt like they should be granted an increase in their guaranteed hourly.  All the operators involved signed it, maintaining solidarity.  The letter was effective and the request was granted.

Understand what you have to offer:  I heard Rebecca Rhine, the National Executive Director of Local 600, once say at a meeting that, in essence, the only effective tool that we have to bargain with is our Labor

While I’m not suggesting anything such as a strike right now (but around late 2021 who knows?), I am suggesting that an incremental grassroots movement, a show-by-show strategy where even a single positive change should attempt to be achieved, should always be our goal and our mindset moving forward.  What I mean by this is we should always seek to move the needle in some positive way for ourselves, whether that be a rate increase, a raise in our hourly guarantee (raising the hourly is a tool for us to increase our rate, as well as increasing our overall health/pension hours), safety provisions such as controlling handheld hours, or other ways. 

I do understand that some production companies on some shows have done right by their camera crews (after alot of work put in by those crews to prepare a cohesive strategy). NZK Productions, the production company for “The Bachelor” family of shows, has crafted a deal for its veteran camera operators, which is very reasonable ($70.83/12) even based on the current market for operators of all types of shows, but this is an exception.  The production company did this because, in a large part, the Bachelor camera crew organized.  They came to the 600 with their proposal; they were informed and unified in their process.  It was by no means a slam dunk; it took time and several meetings to achieve the result.  But they did the work, and the Director of Photography of their show was very involved and supportive (this is an important distinction to note).  But even though this is an example of a success story, there are also many companies that will offer the minimum, because they can.   This is where the conversation needs to start.  It’s up to us.

We are currently trying to set a base in which we can start the conversation.  This is probably the gnarliest of concepts for camera operators, as a group, to agree upon.  In writing this, a number of operators were consulted, and almost to the number, each offered a different figure.  They basically ranged from $650/10, to $60/hr to $700/10 to $750/10.  There’s an old saying: you are worth whatever the market will pay you.  So why not start high?  Let’s say, just as basis for a jumping off point, $750/10 seems to be a fair base for us to shoot for as far as initial negotiations go.  To quote John Armstrong, a veteran camera op, “One thing that’s undervalued about our work is that the stress level can be quite high.  A story develops spontaneously in front of us, or off in a corner, and we only have one chance to film it.  We don’t get retakes. The ability to stay calm, alert, focused, and reactive on unscripted shows sets us apart from camera operators in many other genres, and shoulld command higher rates.”  Makes sense to me.  The biggest issue is to try and establish a universal rate we can all refer to, in order to send a message to all productions that we operators, as a group, are organized and specific in our goals.

Also, in most cases, don’t expect producers or directors to go to bat for us.  They might, and if they do, that’s a bonus.  Most above-the-line employees are more inclined to not want to rock the boat.  It’s just best that we keep all of us between us.

Now, a word about flipping shows.

Like a lot of industries at this current time, and in the months to come, television production, and specifically, unscripted television production sits on the precipice of what may be a new frontier.  The overwhelming and obvious safety concerns of going back to work on TV shows may very well be leveraged against the desperation of the many people (like us) who are unemployed and sitting at home, waiting for the phone to ring, or a text, or an email calling us back to work, while we wonder how we are going to pay our mortgage or rent, or for our car, or utilities, or food.  The bump in unemployment insurance is nice, sure, but those with families, or even with a little more than the most basic living expenses know that this can’t go on indefinitely.  Besides, we like our jobs, and we want to get back to work.

May I extend a note of caution?   Because of the likelihood of shows that require smaller crews might be the first to return to production, coupled with what may be desperation from the many networks’ and their desire to start creating multifarious and inexpensive content, could be something that could work into our favor.  Or it may not, depending on our approach to it. 

First of all, it’s more or less common knowledge that the largest number of unionized non-scripted shows are usually either live-audience stage shows or large competition-based shows, both of which utilize many more people of different categories, almost all of whom are already union members, and therefore can be galvanized into one cohesive group that is able to use the force of sheer numbers to flip a show from non-union to union status, if necessary.  You’d be hard pressed to find a non-union stage show at this point; most production companies don’t even attempt to try it.

Not so in the small-format non-scripted world.   These shows usually feature three or four operators (or less), utilize AC’s to shoot, christening them with the evil title “Junior Operator”, which signifies they work like a dog, doing separate jobs for one salary, while keeping a full-time camera operator unemployed.  In fact most of these shows require many camera people to do more than one job, which some will happily do for the dangling carrot of a (very) minimal rate bump.  It’s not uncommon for DP’s on these shows to shoot, light, direct (while shooting), cast wrangle, and drive the van.

There’s going to be an opportunity to flip these types of shows to non-union.  And while I understand that money talks, and you have to pay for the BMW you just leased, and sometimes you actually make a better rate on these smaller shows than on the bigger unionized ones, hear me out. 

More than ever, safety is going to be an issue in our industry, regardless the size of the show you work on.  How likely, even in remote locations with small crews, are we going to be safely isolated and social distanced from the world?  Maybe at times, but not always.  Is that small production company going to pay for Covid=19 testing every day?  Are they going to pay for your incubation period should you contract the virus?  I mean, these are among the many issues large union shows and production companies are and will be continuing to wrestle with for the foreseeable future.  But understand that you stand a better chance to be protected, physically and fiscally, with the union behind you.  We’ve all joked in the past about how little our union protects us or even gives a shit about us .  But in the last three years, we’ve made headway within the 600 that you couldn’t even fathom years before.   It’s been incremental, but things are getting better.  And if you are in rural Mississippi in a swamp and you have some predicament with a health or a financial issue, you’re going to get a lot more support from the union than you will that producer you are hanging with in the day and drinking with at night.  Truth.

So, how do we flip these small shows?   How do we get everyone on the same page?  We’ve tried before and it’s virtually impossible.  When someone came up with the statement about comparing achieving something nearly impossible to that of herding cats, they probably were referring to achieving solidarity within the universal camera operator realm.  As far as conceptualizing the zen of camera operators, we are more mercenaries than we are philanthropists.

And I get that.  My personal situation is different from your situation, and yours is different from hers, or his, or everyone’s.  Some of us are desperate for the gig; some of us have personal relationships with the production company.   The list is endless. But the conversation always seems to end up at the same place: “I’m not getting paid adequately to justify my experience/effort/skills.”  If you are tired of that old tired argument, then maybe you are ready for something akin to a movement, real change. If you aren’t ready to do something about it, then don’t bitch about your shitty rate.

I’m going to suggest that, if you haven’t, go back to the February newsletter of the UWG and read these links, which do an excellent job of identifying a number of productions where incremental positive changes were made, and provide us with a reasonable strategy for establishing a cohesive camera department that can use its positioning for good:

https://mailchi.mp/0804a0365b72/looking-back-two-years

https://mailchi.mp/1b7aca2b1028/how-you-can-help-raise-rates

In closing, I am going to reiterate that I don’t have a fucking clue how this is all going to turn out. Of course I’m hoping that we come out the Covid-19 shutdown with enough production to help us all keep busy, and with more success stories that will give us the momentum to realize an even better future for us all.  But I’ve already heard of some shows shooting with robo-cams (sort of a variation on the “Big Brother” model), where the postion of on-set camera operator may be eliminated, or at least severly limited. I don’t think that will happen, but did anyone predict a pandemic that would immobilze the world in such a way that it would kill hundreds of thousands of people and severely disable the world’s economy? (Well, actually the government had a pandemic task force and plan somewhat in place before the current administration disabled it in ’18, but that’s a political conversation for another time… yet, everything is political, isn’t it?)

But even with all the uncertainty currently surrounding the world right now, and in our industry… it’s up to us. Be part of the change you want to see.

Stay safe,

Brett Smith

DP-Camera Operator/Citizen of Planet Earth

“Give me double scoops, or give me death!” Ice cream and more in the time of Corona

Not so long ago, before Covid-19 came to town and fucked up the world for everyone, I was on a trip up north of Los Angeles with my gf when we decided to stop into Santa Barbara.

To a transplant (who has now been here over 20 years), Santa Barbara represents, to me, the quintessential California. If you were to dissect the various elements of the California experience– the beach, the mountains, the civilized, the groovy, the nuanced, the primative, the native, the boullabaise of cultures, and the essence — and throw it all into the massive IBM super computer/ice cream mixer and run all those elements through, and let said computer spit out, in a flurry of clicking and whirring, the ultimate answer, it would be Santa Barbara. The region is beautiful and breathtaking and you can drink pinot noir in the mountains, or margaritas by the ocean. The young people are thoughtful and beautiful, and the older people are learned (learn-ed) and experienced and still beautiful. It’s not without its characteristics that mirror the real frustrations of California living: traffic and overpriced real estate and a clear divide of rich/poor, and people unfortunate to be homeless and struggling through the day-to-day. But all of that IS California, too, and if the bad didn’t exist with the good then it wouldn’t be this (and you can say that about anywhere really). I know that everyone has their opinion, and their ideal, and I get that. But when it comes to capturing the massive myriad of all parts of the experience… if someone dropped into my universe from Mars or Wisconsin or some other far away place, and asked me, “What is this place that you call California?”, I would send them up north on the 101, past Ventura, to SB.

There are lots of reasons to stop into Santa Barbara, but our reason on that day, as superflous as it sounds, was to sample the wares of the best ice cream store in the universe, McConnell’s Fine Ice Creams.

There are a number of McConnell’s now, ranging from downtown LA to Pacific Palisades, up the 405 to the 101, in Studio City, San Luis Obispo and finally to its origins in Santa Barbara. There are two McConnell’s there, but the one that feels like the original is the one in downtown SB. Depending on the time of day, you would almost always expect to find a line out the door, and on that day, we sure did. Families, couples, singles, all stacked close with the line snaking out the door onto the sidewalk. It takes patience and time to get into the store, and to complete the serpentine trail until you can reach the coolers where a fresh-faced (similar to those faces that seemingly are always working at In-And-Out) college-esque server stands ready to give you samples and scoop you up something insanly rich and creamy and memorable.

Waiting your turn, you can spend time reading through the faux-modest but believably accurate description of the process McConnell’s uses to craft this brilliant delicacy (their own diary farm, fresh natural ingredients, no preservatives, and the secret weapon, the European French Pot ice cream making process– apparently the old man was a bit of a mad scientist, and post-WWII rebuilt an ice cream machine into his version of the French Pot, and this is some delicious and inspired mythology).

You also have time to scan the board for your favorite flavors. I kept it simple: a coupling of Salted Caramel Chip and Santa Barbara Strawberry.

(No, I’m not on their payroll, but as far as ice cream goes, it’s really really fucking good.)

I write about this ice cream fantasy now because as I sit Safe-at-Home, like so many many other humans, I think sometimes about what kind of world we will be reentering into. I think of that fabulous ice cream store in Santa Barbara, and try to imagine those long lines that were already out the door, now extended with 6′ of clearance between patrons (who probably won’t be able to sit, but will have to get their icy creamy pleasure, and scram), and those lines would now be extended for at least a couple blocks. It seems an unrealistically long time to wait for a couple scoops. But we have all been inundated by now with WHAT MAY BE (at least those of us cheeky enough to step outside our sanitized bunkers, drive to the local grocery, and stand on marks designated to keep us social distanced), with the reality of lines, waiting, being patient.

Patience is going to be a big part of the process. No longer in our lives will we be able to dash in a store and grab something quick for dinner, run into Starbucks to circumvent the long drive-thru and grab a chai latte, or do similar actions with brevity. All of this will now require planning, plotting, and establishing a time frame where you can afford to have the process take longer than you would have ever imagined it would prior to, say, early March, 2020.

And there’s more. We will have to have mounds and mountains of patience, as we wait for governments to reopen civilzation, make us healthy and safe, and devise plans for how we are going to reenter our lives. It’s almost like emerging from a time capsule (or a bomb shelter), one where we were trapped (sort of) and had to tussle with more information from more divergent sources than ever, and enter back into a world that appears the same, but feels different. Part of a mighty, restless, shook-to-the-core partisan-divided United States the likes of which not seen since the Civil War.

I’m trying to imagine how we handle crowds going forward. I can’t. Stadiums filled with screaming fans cheering on sports teams. Concert halls with thousands of heads bobbing and swaying to duclent rhythms. Crowds in restaurants, and theaters, and nightclubs. Las Vegas. Bigger and better minds than mine are working hard and struggling with these concepts, the resulting solutions that probably won’t resemble anything like we’ve been used to. Things may very well never be the same.

I get the restlessness. I suspect that most of America (and the world) is feeling it. I feel it sometimes in the morning, if I don’t have a succinct plan for my day. I feel like I’m floating a little, uneasily. It’s like I’m tethered, but it’s way way below me, as I’m floating above the clouds, and it’s too foggy to see WHAT I’m tethered to. And I start to get anxious, and move in a jittery-dance sort of way, going from one place in the house to another, picking up a book, my computer, looking for something to give me focus. But it’s fleeting, or tenuous, or futile, and then I’m moving towards the next thing.

But even with all that, it never occurs to me, not for one single second, that I should don cosplay camouflage, and hoist an AR-15 on my shoulder, and go to the capital of the state I live in, and agitate that I need to be free to do whatever the hell it is I think I should be able to do.

I don’t get this feeling that I’m “locked down”, that I am confined to my house, or apartment, or that I’m horribly restricted. I can draw on life’s experiences, and learnings, and lessons, and if not completely relate to, at least understand what’s happening in a place like New York, in terms of the limited space and movement in a city that densely populated, retreating from a shape-shifting virus that lurks ANYWHERE. And not knowing that someone on the streets, so close to you, so close you can feel their breath as they pass by you on the street, could carry this silent invisible potential killer. And you might not even know you’re infected but then all the sudden– and it must be a frightening sickening thought to realize… “I have it.” And to have to wait to see what happens next. And even if you’re pretty sure you’ll survive… you just don’t know… and even if you do survive it could be minutes, hours, days of sickness that folds you in two, crouching and doubled over in an infantile state, just helpless to do anything but wait and wish. And for those who are lucky enough not to have it, the horrific feeling that it could be… somewhere near, so you dig into your space, and then the shock of looking on your tv, on your phone or computer, OUT YOUR WINDOW, and seeing the most energetic vibrant city in the world, on it’s knees, scared… empty… devoid of daily life. Whether I’m correct or wrong, this is what I imagine it to be. But there are people everywhere who are dying from the virus– it’s a fact. And it’s not the flu, Dumb Ass, it’s more lethal than that, far more lethal, and there isn’t a vaccine yet, and won’t be one for a while, maybe for a couple years. Or longer. And the way Covid-19 has brutalized one of the most alive and strong cities in the world, you can be sure that this shit is REAL.

People need to work, of course. And it’s scary shit to be wondering when that will happen, because no one knows anything. One article on the internet says something hopeful, and it lifts your spirits. And the next article predicts something far more dire, and then your spirit sinks. For me, I actually am in rhythm with this ebb-and-flow of work uncertainty, for that’s my existence. As a freelancer, or independent contractor, I NEVER assume I’ll be working. I always am prepared for periods of inactivity, or unemployment. My unemployment paperwork is always filed, chief. If yours isn’t, sorry, and maybe I’m happy for you that your career is so steadfast and rock solid and certain that you don’t need to bother. But here we are now, and who’s stressed out and freaking? I’m not. It’s similar to the schools being shut down, and the kids suddenly at home, and having to learn a whole new kind of discipline– normally, kids come home to ESCAPE school! All the sudden, home IS school, and when they should be laying on their bed playing Fortnite or World Seeker, instead they are sitting in a Zoom classroom trying to pay attention. But you know who is ok? Homeschoolers. It’s like they prepared for this. This is their life, and all those parents who have for years been teaching their children in their homes, by themselves, they must be sitting back and nodding silently to themselves as they look over the smoldering remains of the 2020 spring semester for children around the world, and they are thinking, “See? Do you see, why, now?”

We are lucky to be here in America, though… most of us anyway. Not all of us, not by a long shot. But most. Even with the divisiveness, the Grand Canyon-sized and still-growing gap between the billionaires and… everyone else, the fucked-up daily Kabucki theater dressed up as press conferences authored by the figure we would usually presume (pre-2016) to calm us but instead incites and inflames us, the silly protests (the guns, I will assume, that are there to intimidate, and not for shooting the virus?)…. All that, and we are still so much better off than people in so many other parts of the world, places that are stricken with disease and poverty and villany. People who wish trying to acquire toilet paper is the worst problem they have. I know it sounds like I’m describing us (US as in USA), at this moment in time. But so many millions of citizens in other parts of the world have it so so much worse than your desire to get your hair cut. I suggest, if you haven’t, that you listen to and read about what’s happening in other places in the world right now, and get some perspective.

Covid-19 is a truth, the pandemic is a truth, people infected with the virus even though they don’t know it is a truth, and even if there’s a group of people inflammed by the rhetoric of a propaganda factory masquarading as a news network, and by lobbyists, and by 2nd amendment-supporting zealots that insist it’s not a truth… to them, like racism in America, Covid-19 is an inconvenient truth. It’s an inconvenience for many fortunate and privileged people in this country, and therefore can be easily pushed from our minds and into a ditch on the side of our thoughts, and especially when it’s a sunny and beautiful and otherwise normal day in the crazy fucking world, and we want to get our roots dyed, and get our lawn fertilizer, and our ice cream.

I hope we all get perspective. Two scoops.

Running down the street not very fast during a pandemic

4/3/20, or, Everything has changed, not what I planned for, but here goes …

I lace on my running shoes and stretch; the sensation feels like it did before, but now it seems like it’s more important to make myself work out– I snap the door shut, plunge my ear phones into my ears, and head to the streets–

I start to run, not very fast, as I’ve learned from experience that if I run too fast too soon, I fizz out quickly. Better to go slow and steady. I am already poised to apply the “new rules”– safety by physical proximity– and almost immediately I shift myself off the sidewalk into the street (quick glance over my shoulder for traffic first) to give the pre-requisite social distance to a guy in a ball cap walking towards me. As I run by him it looks like he nods towards me and says something– or maybe he has earbuds in and is talking on his hidden phone to someone, or maybe he’s mumbling to himself. Alot of that these days, I suspect; I have Beastie Boys blasting already so can’t hear him anyway but nod and head back to the sidewalk once I have enough space. By the liquor store, a homeless person sits splayed-legged on the sidewalk, surrounded by addled piles of her transient life. A cigarette jutts from her mouth, she looks like she’s hopelessly just there, for now, for always. I veer to the right to jog past her. I’m breathing like someone who’s running, short huffs of air in and out– then, without thinking, I take a breath as I pass and a waft of her living essence– breath, body odor, droplets and molecules– FILLS my mouth and nose. I am startled. Shocked.

This is the new world, all air and smells and things we can’t see but we KNOW they are there and we don’t know but they might kill us… all this rushes through my brain as, without breaking stride, I start to recount the articles I’ve been reading about Covid-19 and hear the warnings from the public radio station I’ve been listening to non-stop, echoing the danger, the PANDEMIC, the word itself makes you think “pandemonium”, “panic”; watch yourself, wear a mask, don’t get close, the particles lie still in the air for moments, unwittingly you can walk right into them and that’s it, you’ve caught it–

I keep running, but now I’m scared. And mad. Goddamit. What if she’s a carrier? I breathed her in; I could smell and taste the stink. What if she’s SICK??? What if she’s Covid-19? Now what do I do!?! Shit. It’s too late, the damage is done. I’m pissed, at the world, at this ever-evolving new order, and I’m pissed at her. And then, just as quickly, I feel guilty. I’ve heard the reports of the already-difficult-now-even-more-complications the homeless face as they struggle with a world that warns, “Stay At Home.” Dealing with this frightening invisible obstacle on top of being homeless, just trying to live, one day stacked on top of another. She has it so hard, so much harder than me. Even if I do get IT, I am presumably healthy enough and, with no pre-existing conditions, can probably fight it off. I have the resourses to INCUBATE. I can be Safe-At-Home and can wash my hands. She probably can’t even do that. I turn the corner and head down the street, putting distance between disadvantage.

The weather in So Cal has been symbolically dull grey, chilly and rainy, perfect pandemic weather. It isn’t raining yet and I push myself to finish before the rain begins. I run down Golden West Ave, a street where sidewalks can appear on one block and then disappear. I take to the road. The asphalt is easier on my knees anyway. Only a few people out today, walking for exercise or to get somewhere. The neighborhood I live in is predominantly Asian. The people I pass, I give space. They are wearing masks, and some wear gloves as well. Even a few of the cars that pass, the drivers wear masks, their eyes peering over them, faces shrinking and disappearing behind their face covers. I don’t wear a mask, and I feel self-shamed and defensive. My gf is a doctor and I’m very aware of the distressing shortage of germ-preventative equipment for health-care professionals, gowns and gloves and masks. Everytime I see an N-95 mask worn by a citizen, I grouse under my breath and want to walk up and rip it off. How dare you! People who are saving lives are in danger! You’re only one person, how fucking dare you be selfish!

I had been working on a TV show when unceremoniously they pulled the plug. Anxiety was already high when, before we went to lunch, everyone was called to the stage and was told that, at the end of the day, we were done. There had been plans to try and rush through the project, shoot double content on single days, race against the virus and the news and the inevitable shutdown. We made it two days. There were alot of varying feelings of relief (some felt angry that they being made to risk our heath to make a TV show) and resignation (some wanted to make as much money as possible before disappearing into this abyss.) To me, it felt like it did when they called off school due to inclement weather: initially exciting but then a downer when you knew you’d be making up the day in the spring, when the weather was warm and the sun was out. This was still near the beginning of the serious realization of the pandemic– some people were taking it seriously, but many weren’t. It just wasn’t believable. We lived in a modern world; how was this possible? Two days later, the state government ordered us inside, stopped all businesses except for essential ones– grocery stores, drug stores, gas stations. By the time our show had shut down, the rush for supplies had already begun in earnest. I had already heard on the news and on set about the panic and hoarding, and I waiting until i absolutely had to go shopping. I wanted the stores to reset and restock, to be ready for people like me, late comers to the desperation. So I went into a Smart and Final the day before the order, and saw that many of the shelves were stripped bare. Cleaning supplies, paper goods, dry packaged goods, water– all gone. People rushed around the store, the panic audible in their eyes. It was hard to not catch that fever, and intially I caught it too– I put two gallons of 1% milk, and a large double box of Honey Nut Flakes in my cart, thinking if all else, I could survive on cereal if I had to.

Eventually I saw that we had plenty of food, wine and toilet paper to survive the initial stay. But the stories started coming in from the east coast; New York in particular was getting crushed, health-care people recycling masks, as they battled in a gushing pool of germ warfare. Obviously I’m sensitive, maybe a little moreso because of my personal relationship, to the plight of doctors and nurses unable to procure even the most rudementary preventative items, while an unsympathetic government deliberately moves too slowly to aid them, and in the meantime some asshole in Tennessee probably has hundreds of boxes of masks and jacks up prices in a greedy attempt to get rich off the sick and distressed.

So the N-95 masks on citizens get me agitated. But I also have read that the Asian culture in particular is well-aquainted with the concept of wearing masks in public, and have done many many years. It seems to be a semi-regular part of their wardrobe, as I was seeing masks on Arcadian Asians long before we reached this world-wide cautionary tale. They are prepared, whereas many of us Angelos now stand unsteadily and strattle the gap between these now-evident worlds. So I give myself a slap to my consiousness, begrudgingly tell myself to stay in my lane, figuratively and literally, as I turn the corner to run up Temple City Blvd.

It’s a slight incline up the street to the intersection of Temple City Blvd/Duarte Rd, and the constant stream of coronavirus information I am recounting as I run is taking my mind off the usual aches and pains and discomfort I feel any time I attempt to run.

Truth: I don’t like running. I know the benefits, I know how contributes to overall fitness and blah blah blah healthiness. But I’ve never embraced it, ever since I was in high school. I ran on the cross-country team for for years, and endured miles and miles of distance training, and sprints up sandy hills, and Icy Hot rubbed into battered hamstrings. My last year of cross country, I found myself in the midst of my second teenage growth spurt, gaining height and weight, which was cool, but also discovering that carrying that height and weight was a burden I had never experienced before. I was a runt entering junior high, and experienced my first growth spurt in the 8th grade. I became angular and gawky, tripping over my own feet, a theme that would unfortunately follow me into high school. Once, my junior year during basketball season, having been given the privilege of busting through the large paper mural and leading the varsity team onto the floor, I lept through the mural, got my feet tangled up with a cheerleader running across the floor in front of me, tripped, and fell to the raucous delight of everyone in the gym, including my teammates. On my back, I derisively tossed the ball toward a laughing Jon Gacinski , my face hot with embarrasment. But though I was gawky, I could always run. As a freshman, I had longer legs from the first spurt of growth, and precious little bulk, a perfect runner’s body. I also found I had an ability to finish strong, what my cross country coach called “a kick”; even after two and a half miles of slogging across trails and mud and gravel, lungs pinching and chest heaving, gulps of air and sweat stinging my eyes and face, I could still summon that kick on the last 1/2 mile of the course, when you could first see the finish line, a mirage too far away to start the kick just yet: kids would see the finish line, this grail of hope that the race was nearly mercifully over, and they would pick up their pace too soon. My coach would be on that final stretch, and I would pace myself until he yelled, “Go!” Then, I would put my head down and pump my arms faster; I could feel my breath audibly quicken in gutteral huffs as I pushed myself faster. One by one, I would start to pass other kids– not juts past, but blow by them. Whether for real or in my mind, I could feel them fade, lose a tick of momenteum, a half step, as I left them behind and went for the next victim. Like a video game, it was like I swallowed then and got stronger with each conquest. It gave me a rush, a thrill that would give me chills and push me even faster. As I continued racing from my freshman year into sophmore and junior seasons, I came to enjoy the thrill of those sprints at the end. I wasn’t the fastest runner for the first 2 1/2 miles, but I was a wild beast on that last leg. It fed my ego to see how many runners I could crush during that last rush to the finish line. Once I would cross, I would nearly collapse, my gasps for air pacified when I would glance behind me and see the line of runners filling the finish gate behind me, their race experience a little less fulfilled, while mine was that much more fulfilled. It was also the first time in my life I saw I had it in me to be able to dig deep, reach down for that surge of discipline that people need if they are going to be something more than just… something else. Life is like that; there are so many people in the world, and there’s a sense of “good enoiugh” that stills us and jusifies our means and our ends. It’s the same feeling that fuels the concept of “acceptable losses,” when we as a body of humans decide that an abstrct number of lives lost is a justifiable trade out for maintaining a life that none of us even yet grasp will never be the same again. The sooner we accept this, we are told, the easier it will be to get on with our lives. And we take a big breath, and we realize there is no need to sprint this one out. It’s a race where there are no winners.

As I’m running up the slight incline toward Duarte Road, I’ve worked up a sweat even on this dull and turgid gray day. A breeeze rattles the leaves of trees around me, and cools my face in that pleasing way. The philospopher Alan Watts once said, “You can’t sigh if there is no wind,” and it reminds me that I take my place in the physical world, I’m alive. But i can’t enjoy it. I’m thinking, “What’s in this breeze?” Is there someone I can’t even see, a block away, who has the Covid, and coughs and sends those particules of virus into the wind, carried down the block, and into my 6 feet of personal space? And I shake my head, wipe the sweat from my forehead but not from my eyes and face because you know that’s where the virus gets you, the “T” of your face (eyes-nose-mouth) so Don’t Touch Your Face, and I as I try to cull the pandemic dissonance in my brain, I realize I’m looking at WAY too much social media, but the thinking about all this while running keeps my brain busy and my mind off of my arthritic knee, and my achy ankle, and my tight chest as I mercifully make it up to the corner, and make the turn toward home.

Around the corner, I glance to the east behind me now and see it’s getting dark, large and looming and ominous.. I feel the first few wisps of rain against my cheek, and suddenly like Billy Pilgrim, I’m backwards in time, years ago, and my coach is standing in the street, and he’s yelling– “Run! Run!” –and so I take off.

I’m flying. I can feel the darkness behind me, gulping and growing. Ahead there’s light and there’s also dark clouds gathering and closing fast. But I’m 15, and my arms are pumping, and I’m growling and gasping as I pass one runner after another. I tell myself I’m gianing strength. I watch the sidewalk zip beneth my feet, and when I look up, I look ahead for the finish line and the runners gate, but it’s not there, not yet. And the truth is I’m not running very fast at all, anymore, and I really don’t know when it ends.

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